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Our returning friends, the hugely popular ELO Experience…

So synonymous with their late 1970s hit singles have the mighty Electric Light Orchestra become that its surprising to recall that they’d emerged out of Birmingham right at the start of that decade, born from the ashes of psychedelic popsters The Move. Principal songwriter and frontman Jeff Lynne’s catchy tunes, coupled with his ‘big hair and sunglasses’ look, came to be the instantly recognisable sound and face of the band, but the early line-up saw Lynne and legendary ‘ELO’ drummer Bev Bevan joined by their fellow Move-departee Roy Wood, a larger-than-life character who’d soon, well, move on again and become forever famous as the glitter-and-sparkles leader of  ‘See My Baby Jive’ glam rockers Wizzard. 

 

Our returning friends, the hugely popular ELO Experience, delve into a particularly rich back catalogue. ELO themselves might be particularly remembered for the breathless effervescence of the classic Mr Blue Sky, with original fans having a wry grin at its 7” blue vinyl single, with its charming run-out exhortation to ‘please turn me over’, a message lost on the musical streaming generation but a helpful reminder to flip the disc and hear the likely more experimental B-side back in the day. But there’s a whole host of genius songs to celebrate. Livin’ Thing, Telephone Line, Turn To Stone, Rockaria, Don’t Bring Me Down… they still sound fabulous to this day! 

We always feel that’s what these evenings in the Cornwall Playhouse do as part of keeping popular music alive in a live environment, as it were, a continuous rejoicing in the cross-generational appeal of the great singles and hit-packed LPs of yore. And in this instance, we’re celebrating the music of a band that itself cherished the sound of those who came before them. It’s said that the initial idea of ELO, that fusion of cello, violin and woodwind with contemporary rock, came from Roy Wood, but it was Lynne who ran with it for much of the band’s history, melding strings and horns on the stage with a love for The Beatles and The Beach Boys worn on his sleeve. Indeed, it became almost a cliché to ponder whether ELO were the band that The Beatles might have become had they continued into the 70s, while the surf rock influence of Brian Wilson and Van Dyke Parks’ seminal ‘Heroes and Villains’ is evident on ELO’s classic Out of The Blue album track Across The Border.  

 In these blogs, we love to remind long-time music fans of gigs they might have seen way back when, here in the days of Truro City Hall or elsewhere across Cornwall’s venues, and indeed some digging around finds ELO in our own much-loved building on 19 July 1973 as part of a mini-tour jaunt around the west country – let us know if you remember that one! And if your concert-going memory stretches further back, tell us about The Move (with Roy Wood and Bev Bevan, but pre-Jeff Lynne) playing Redruth’s Flamingo Club in August ’67… we’d be thrilled to hear about those shows! 

Eventually Lynne and ELO eschewed that famous symphonic sound for the straighter soft rock of the sci-fi concept album Time, a different beast from their A New World Record, Out of the Blue, and Discovery peak, but a new direction, at the time, that has also worn-well over the years. Let’s join the ELO Experience in keeping these wonderful tunes reverberating around our auditorium, for the music ages like a fine wine and never grows old. 

Written by Ian Abrahams

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Interview: Neil Gaiman Discusses Ocean at the End of the Lane

The National Theatre’s adaptation of the award-winning book The Ocean at the End of the Lane is coming to Hall for Cornwall from TUE 19 – SAT 23 SEP. Ahead of it’s much-anticipated arrival, we asked Neil Gaiman some questions about the story…

The book is loosely based on your childhood. What was the starting point?

The book began with me wanting to try and explain to my wife where I grew up and what that world was like. She could take me to her childhood home because it’s still the same, but I couldn’t take her to where I grew up [in East Grinstead] because the place had long since been demolished; lots of lovely neat little housing estates covered the gardens and the fields and lanes. So for me it was kind of an effort to try and evoke a past and a sense of place.  An interesting side of it for me too was that I realised that I hadn’t heard, for a very long time, the Sussex accent of my childhood. Mrs Weller came in and cleaned once a week and Mr Weller came in and did the gardens. They were probably in their 80s and they had proper Sussex accents – almost like a West Country burr. I resolved to write a novel with that in too.

How did you create the Hempstocks?

I was told by my mother – quite erroneously, I discovered, when I did my research – that the farm half-way down our lane was in the Doomsday Book. And that was the start of the Hempstocks in my head; who they were and what I wanted to do with them.

Do you find writing about family especially fascinating?

I don’t think I’ve ever been able to avoid writing about family, even when I thought I was writing about something else. Whether it’s biological family or the family we make. In the novel I created a semi-fictional family for myself, and in the play version it was one step further away from my family, which I think looking back on is incredibly healthy! But the boy is definitely me.

Credit-Pamela-Raith

The play received amazing reviews when it premiered. Without any spoilers, do you have any favourite moments?

There is something astounding about the moment when they enter the ocean. That completely fascinates me. And you’re going to see miracles made out of bits of rubbish and old plastic bags and nightmarish birds beyond your imagination. It still takes me by surprise every time I watch.

Is it true that you were so moved by the play when you saw it in rehearsals that you cried?

I saw the first full run through. About ten minutes from the end I had tears running down my face. I thought that this was terribly embarrassing and I was discreetly trying to flick them away.

You describe yourself as a storyteller. What inspired you to be a writer?

I’m not sure that all writers are frustrated performers, but for me it was the joy in getting to be all of the characters. As a writer you get to do that. Being a kid who loved books I could think of nothing cooler than giving people the pleasure that I got.

Come along and see this powerful story for yourself this September at Hall for Cornwall: click here to find out more!

Photography: (c) Brinkhoff-Moegenburg