THE COLLECTION

Memories of Working at the City Hall

© Hall For Cornwall. All Rights Reserved, 2020 / Hall For Cornwall & Josie Hocking

Memories of Working at the City Hall

Made: 2019

Record Number: HFC:2020:50

My husband’s friend worked for the gas works cleaning out the filters and when he was at the Regent everyone knew when he was there because he smelled of gas! 

Object Dimensions: X

Method - preservation copy Date -

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Cinderella

Signed Cinderella show poster, performed on stage at Hall For Cornwall between 13th December 2002 to Sunday 12th January 2003.

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Snow White

Signed Snow White poster with ten autographs from featured actors between 10th December 2005 - 8th January 2006. Produced by Hiss & Boo Company and written by Richard Gauntlett.

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Beside Manners

Signed show poster from a 2001 production of Bedside Manners, produced by Charles Vance. On stage at Hall For Cornwall between 4-8th September 2001. Show featuring Tim Brooke-Taylor, Geoffrey Davies, Arthur Bostrum, Kim Hartman and Amanda Redington.

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Derren Brown Live

Signed poster for Derren Brown Live at Hall For Cornwall. Produced by Michael Vine, Andrew O'Connor and David Walker for Objective Productions.

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Mum's The Word

Signed Mum's The Word poster. A comedy directed by Wayne Harrison and Produced by Robert C Kelly Limited and Clear Channel Entertainment. Starring Sarah White, Rebecca Wheatley, Kim Hartman, Maureen Nolan, Polly Highton and Juliet Wallace.

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Art

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Marrying the Mistress

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Dame Doughnut

A lead character in the pantomime Snow White and The Seven Dwards. Performed onstage at Hall For Cornwall between December 1997 - January 1998. Don Crann in a class example of full pantomime dame costume, complete with wig and makeup

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Girls Night

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Jimmy Cricket

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Elaine Delmar

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La Classique from Moscow Ballet

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War & Peace

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The Stylistics

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Grease is the word

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Barabas

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Funeral For A Friend

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Paddy McGuinness LIVE

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Jesus Christ Superstar

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View From The Shore

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Buddy, The Buddy Holly Story

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Leg Irons

A pair of leg irons from c. 1840 - 1850 which were used in the jail at City Hall to keep those who had been apprehended secure in the jailyard, cells or even in the court above the jail at City Hall. After 1850, the jail and police station were considered too small and in 1857 were subsequently moved to a site on St Clement's Hill.

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Commemorative Plaque

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1858 Weights

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This weight is an example a weight used in the markets at City Hall and bears Truro's stamp on the 7lb weight. Each weight bears multiple stamps depicting the time period during which the weight was used, as well as the ruling monarch. Documented here are a 7lb, 2lb and 1lb weight from 1858. The word 'Avoir' next to the number on the weight's handle is a reference to the Avoirdupois System' a unit of measurement which combined pounds and ounces. This system of measurement was updated in 1959. The weights would have been used in the courts on the upper floor of City Hall as well as in markets to ascertain the value and fairness of products being sold.

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1909 Weights

A collection of three weights from 1909, used at City Hall. Weights used at City Hall have multiple layers of significance. 

Weights and measures also played an important part in the green, fish and fatstock markets based at the hall. They were used to ensure that each trader was fairly assigning value to his stock and was overseen by Truro's own Weights & Measures administrator.

References to trade at City Hall date back to the original Market Stone of 1615.

In the Market House hall is a stone carved plaque dating from 1615. It has survived from the original market house that stood adjacent to the current site, and through the building, demolishing, rebuilding  and extending of the Market House buildings on the site we see today. The wording on the stone is a motto that has been carried with Truro Markets since the 1600s, and serves as a consistent reminder of both fairness and the presence of trade within the walls of City Hall. It translates as: 

 

Jenkin Daniel Mayor 

 

Who seeks to find eternal treasure 

must use no guile in weight or measure 

 

1615 

 

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The Duke of Cornwall Marriage Plate

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Mayoral hat and hat box

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The hat is decorative, with black fabric and ribbon wrappings. The centrepiece of the hat is a strip of golden brocade embroidered with beads and a large button. Mayors act as ceremonial leaders having been elected by local residents.

Their role is one of a public figurehead, communicator and influencer with regards to local politics and civic development. On 11th May 2020, Bert Biscoe was sworn in as Truro's new mayor. He was sworn in virtually. Bert becomes the first mayor to be sworn in as Truro Mayor due to the Coronavirus pandemic).

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Isaac Roskelley's mayoral hat and hat box

A decorative hat worn by Truro City Mayor Isaac Roskelley Esq between 1913 and 1914.

Mayors act as ceremonial leaders having been elected by local residents. Their role is one of a public figurehead, communicator and influencer with regards to local politics and civic development. Truro's current mayor is Councillor Bert Biscoe, elected May 2020.

The hat is narrow and semi-circular in shape with peaked corners. It is decorative, with black fabric and ribbon wrappings. The centrepiece of the hat is a strip of golden brocade embroidered with beads and a large button. The hat is accompanied by its hat box which is inscribed with its wearer's name and role. A tricorne hat (with three corners or pinned points) is a powerful visual symbol of hats worn by both mayors and aristocracy during the 19th century (see HFC:2019:98) however this fashion was largely out of style by the 20th Century when this hat was worn.

Manufactured by Christy's of London.

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Mayoral Ruff

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Truro Streets

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Banquet Menu

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Centenary of conferment of the city of Truro

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Mayoral hat, gloves and hat box

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Tricorne mayoral hat

This mayoral hat is an example of an earlier tricorne hat design, often made using animal fibres. Stamped on the inside of the hat with the latin phrase 'Floreat Industria' (he prospers who labours), it is sparsely decorated with black braid on its exterior. This style of hat would have been worn by the current mayor when carrying out ceremonial or official duties.

A more contemporary mayoral hat from 1913-14 in the collection HFC:2019:87

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Truro

a lithograph depicting Truro city centre in the background. In the foreground is the Fal River and a hillside with grazing cattle and a couple in conversation. The uncovered rivers of Truro are visible in the background, giving a sense of the maritime industry and trade that the rivers would have provided to the city. Also visible is City Hall, the cathedral, the viaduct and the train station.

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The Ascension of Queen Elizabeth II

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Truro General Post Office Ball at City Hall

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Dancing at City Hall

A photo from the annual family christmas party for the families of employees at Truro's General Post Office. There was clearly dancing as photo donor Annette Egerton remembers 'My father Own Lidgey's love of dancing was not shared by my mother and so is dancing with the wife of a postman. The unusual attire of my father with his trousers rolled up was because we was dancing with a penny between his legs. I assume it was an elimination dance and the winner was the last one standing with the penny still in place. It won't come as a surprise that my mother really did not like the photo!'

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Father Christmas at City Hall

Annette Egerton recalls attending the Christmas party ' this photo shows me sittting reading the book that Father Christmas had given to me. Our dresses for these parties were always beautifully made by our grandmother who would have have been in her late 70s.'

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Programme cover for Carousel at City Hall

The front cover design of the Carousel programme was in keeping with the earlier TAODS programmes. A simple illustration and title were displayed alongside the distinctive TAODS logo of the time, which incorporated the three spires of Truro Cathedral. More information was found inside the programme including a foreword, dates for performances and associated cast listings.

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Carousel Programme Lead Page

Those prepared to look beneath the surface, may well be rewarded to find in Carousel, the most thoughtfully moral musical of the century'. TAODS production of Carousel was performed at City Hall between November 10th-15th 1958. Production and Chreography was by Mavis Ward, Musical Director was by G. Trehane Collins, Ballet Mistress Vera Gatley and Chorus Mistress, Gladys Hiley.

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Carousel Foreword

Carousel programme foreword by The President of TAODS for the 1958 production by Truro Amateur Operatic & Dramatic Society. The President makes special mention of the producer Mavis Ward who travelled to Truro on a number of ocassions to produce musicals for the company.

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Maternity Fashion Advertisement

An advertisement inside the programme for Finian's Rainbow, detailing a maternity outfitters in Truro and speaking to the sartorial trends and copywriting style of the late 1950s.

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Roberts, Country Drapers Advertisement

The advertisement details another Truro business whose logo incorporates the distinctive spires of Truro Cathedral into its spire.

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Farm Industries Limited; Truro's Specialist Garden Shop

The advertisement details a list of flowers available at the time, outlining flower and horticultural trends of the time.

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Finian's Rainbow Programme cover

Finian's Rainbow was performed at City Hall by Truro Amateur Operatic & Dramatic Society. It was produced by Mavis Ward who produced more than sixteen of TAODS productions. The musical tells the story of a pot of gold, stolen from a leprechaun by a young couple in the mythical town of Glocca Morra, USA. They flee to the South and settle there, pursued endlessly by the leprechaun. Finian's Rainbow is a musical whose debut on Broadway in 1947 ran for 725 performances. The musical was later adapted for film. It was directed by Francis Ford Coppola and released in 1968. An earlier film animation starring Frank Sinata, Louis Armstrong and Petula Clark was never completed, in part due to McCarthy-era trials, in which two of the films starred refused to testify meaning funding was withdrawn.

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Kismet Foreword / TAODS 50th Anniversary (1)

The First Fifty Years: A summary of the activity of Truro Amateur Operatic & Dramatic Society is an important record of the earliest performances at City Hall post World War I and following it's refurbishment, costing £12,000. The first performance at the hall was the comic opera Ruddygore and coincided with the re-opening in 1926 (changing from the County Theatre to become City Hall) , attended by Mayor Stratford.

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Kismet Foreword / TAODS 50th Anniversary (2)

The First Fifty Years: A summary of the activity of Truro Amateur Operatic & Dramatic Society is an important record of the earliest performances at City Hall post World War I and following it's refurbishment, costing £12,000. The first performance at the hall was the comic opera Ruddygore and coincided with the re-opening in 1926 (changing from the County Theatre to become City Hall), attended by Mayor Stratford.

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Programme cover for Kismet at City Hall

The story of Kismet (a Turkish word, meaning destiny) is a musical adapted from a 1911 play. The play, first performed at the Garrick Theatre in London was later adapted for a musical performance by Edwin Lester, Director of the Los Angeles Civic Light Opera.

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Programme frontispage for Kismet at City Hall

The story of Kismet (a Turkish word, meaning destiny) is a musical adapted from a 1911 play. The play, first performed at the Garrick Theatre in London was later adapted for a musical performance by Edwin Lester, Director of the Los Angeles Civic Light Opera.

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Memories of the City Hall

I was the Property Maintenance Officer with Truro City Council from 1966 to 1974. My responsibilities were the maintenance and improvements of fourteen hundred Local Authority Houses and Public Buildings. My office was situated on the first floor which is now the Assemble Room at Hall for Cornwall; this also housed the City Architects and Building Control Officer. City Hall was a building of two parts; the front section overlooking Boscawen street consisted of the Town Clerk, Committee Room, Council Chamber and Magistrates Court. The rear of the building overlooked the Car Park, which is now the Piazza and this housed the Surveyor, treasurer and Public Health Departments – the two were connected by a long corridor. Situated in the City Hall was the Regent Cinema, but this subsequently closed, and the Hall was then used for concerts and dances etc. Adjoining the hall was an annex separated by a sliding screen and this was used for many functions including private parties, trade shows, fur and feather, harvest festivals also Fat Stock shows, the latter sometimes causing the maintenance section considerable repair work. The annex floor was originally groove and tongued one and a quarter inch boarding, but over many years of heavy use, had worn considerably thinner. It was not uncommon to be informed that a heavy bullock had broken through the floor! Eventually, after the floor was re-laid, the FatStock show moved to another location. By its nature and age, the City Hall was in constant need of major repair work, but the necessary money was not always forthcoming and with Local Government Reorganisation drawing ever closer and the future uncertain, only essential works were undertaken. In 1974 Carrick District Council became responsible for the City Hall until it became Hall for Cornwall.

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Memories of the Ice Skating Rink

Ice was brought from Newlyn Fish Market and formed into an ice rink on stage with a lip to stop skaters flying off the edge. A 24 hour generator was needed to stop ice melting (which would happen at the rear of the rink) which the police weren’t happy about – the generator van was enormous and stood outside making a noise 24 hours a day. After the week had ended, the ice would be broken up, pushed into a wheelbarrow and then wheeled off to a carpark behind Staples and left to melt away!

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Memories of The Six Squares

We had a skiffle group… The Six Squares. I made a tea chest with a broom handle and a piece of string, and I painted 6 squares on the side, red and black squares, and there was 6 squares and we said, we’re all pretty square, and there were 6 of us, so we called ourselves the 6 Squares. We started off in a pub called the Hope Inn at the bottom of Mitchell Hill. We used to practice in the back room. Just outside this room was a bus stop and when we were in there playing they used to come in and listen. After a couple of weeks the landlord said, “Look don’t practice in the back room, come into the pub itself…And course it used to draw the people in. Word got around that this group was playing this skiffle, and we got these invites to go to different pubs and hotels, and it got more and more. The night that I was due to go into the Army, our skiffle band were playing in a talent competition out at the Perranporth Memorial Hall. We actually won it so we had to go on again to do an encore and I was looking at the watch and thinking, “I’ve got to catch the ten past 10 Cornish Riviera.” I’d already said to my parents, “take my suitcase up to the station, I’ll come back straight from the do and go from there.” Twenty past 9 we were still on the stage playing. I thought, “this is getting a bit tight, we’re at Perranporth, 9 miles away.” Derek Hall used to have a butchers shop in Truro, he had a van which he used to take us around in, so we finished, hurriedly packed the stuff into his van, hammered back to Truro and got onto the station about 5 minutes before the train was due in. And what the chaps did, they brought the gear into the station, set it up and started playing to give me a send off, just as the train was pulling in. This is in the days of the steam trains. And who should be driving the train, but one of our friends. Cause he stopped and got out and held the train up for quarter of an hour while they had a sing song. And that’s the last time I saw my guitar. When I came out the Army, no one knew what happened to it!

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Memories of the Fur & Feather Shows

The Fur and Feather, that was one of the shows they used to have in City Hall. It was rabbits and pigeons and different sort of birds. My father and my brother were both keen Fur and Feather enthusiasts, and they used to participate, especially father, he won numerous cups and prizes. We lived in St.Clements Terrace and he had a pigeon loft and hutches in the garden where he used to keep and feed his rabbits and pigeons. He had the British gold shield for his Dutch black and white rabbit.

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Memories of the Cinema

There were 3 cinemas in Truro when I was a youngster, the Plaza, the Regent, which was in the City Hall, and the Palace. I grew up on St.Clements Terrace, and there would be 4 or 5 of us around the same age who would congregate, deciding which one to go to, depending what was showing. I can remember going into the Regent Cinema, on a Saturday morning, the matinees and seeing the usual films and having an ice cream. In those days it used to be two films, the one they showed first was the B film and then you had an interval with the adverts, and then the main film would be the second one. And the old Pearl and Dean adverts. Then we’d usually all come back and play football in the afternoon. That was I suppose just before the end of the war and just after the war. 

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Memories of the New Years Eve Dance

One of the highlights of the year was the New Years Eve dance at City Hall, when you had a nice orchestra and loads of people. We wore whatever was the fashion of the day I suppose… drainpipes and long jackets.  

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Memories of Queen

Queen, it was their first venue. The drummer from Queen, from what I gather, his mother lived in Truro, he was a Truronion, and she arranged for them to perform in the City Hall. 

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Memories of a Royal Visit

Another memory whilst I was Maintenance Officer with Truro City Council, when my office was based in the City Hall from 1966 to 1974. The Council was informed that Prince Charles would be making a visit to Cornwall and that he would be meeting the City Mayor and other dignitaries.Adjacent to the Committee Room was a WC specifically for the use of the members. It was decided that in order of such an occasion a new WC pan be installed, also floor covering and for the room to be redecorated in case the Prince need to use the facilities. The work was duly carried out and the door kept locked until the visit. On the day of the visit, which went well, with lots of handshaking and the usual small talk, someone suggested that the WC be unlocked, however, there was a problem, as no one knew who had the key! Frantic searching failed to locate it. Fortunately, all turned out well, as the Prince didn’t need the facilities. Several days later the key was found in a desk drawer of a person whose identity was never revealed – I hasten to add it was not me!

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Memories of Watching Shows at the Hall For Cornwall

I have seen all the pantomimes for several years and many shows. The best one for me was The Sound of Music – it was fantastic.  I would love to go again when it opens next year. I have lived in Truro all my  life and my friend Christine who has lived opposite for many years and we always wave to one another before we go to bed. 

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Memories of Growing Up in Truro

I didn’t go to school very much as I had a lot of illness. I worked at the old steam laundry in Moresk Road in Truro. After that when it closed I worked at Littlewoods in the cafĂ© for 28 years. My dad had three  jobs: he was a brick builder and he also worked at the old gas works working nights. Following that he was a blacksmith perhaps in the 1920’s He had a shed at the bottom of the garden and used to make toys for us at Christmas –once he even made us a dolls pram. Mum used to work in a sweet shop in Truro this was before I was born. 

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Memories of Shows & Malteasers at the City Hall

As a teenager I had a box of Maltesers and just as the show started I dropped them and they went all over the floor making a noise with people helping to pick them up and the audience telling me to shush!

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Memories of the Cinema, Carrots & Swedes at the City Hall

My husband when he was a child at the Regent cinema (which was the City Hall) was given chopped up swedes and carrot to eat instead of sweets as they were cheaper and they chomped them right through the show.

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Postcard Memories - Performing at the City Hall

I performed in Ballet shows for Falmouth and Truro at the City Hall. My first performance was at aged 4 in 1959. I played the squirrel in the pantomime ‘Snow White’. 

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Postcard Memories - The Rock Competition at the City Hall

I was a member of a 5 piece band who played on a Rock competition in 1967. In the same competition was Roger Taylor (Queen). I think he went on to do rather better than we did… 

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Postcard Memories - Family Memories at the City Hall

My memory is of Bert Biscoe taking me up to the Council Chamber and proudly showing me my great, great, great grandfather’s election address to the ‘People of Truro’ which he had hung on the wall.

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Postcard Memories - Stuck in a Onesie

Putting my back out getting into a onesie backstage and face-planting in the Stage Right Wing. I lay there rigid for an hour before being carried into the orchestra pit and playing a show in said onesie. I had to stay in the onesie for 3 days.  

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Postcard Memories - The 'Avenging Angels'

My children were terrified by the colourful drapes in the foyer. They called them the ‘Avenging Angels’

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Postcard Memories - Under The Clock

Mrs Proctor - "Mr Biscoe, I’ve lost my council tax bill – you must find it else I’ll end up under the Town clock and then I’ll be for it! "

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Postcard Memories - Footsbarn's

Saw my first theatre at the Hall – Footsbarn in ‘Giant’. I was a very small boy and was transfixed and transported. I can still see the Giant 50 something years later in my minds eye and remember how much I laughed. 

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Postcard Memories - The Addams Family

I used to run an Air BnB and as guests we had the Grandma from ‘The Addams Family’, a character from a play about business, an operatic singer and a violin player. It felt like we were part of the show.

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Postcard Memories - Favourite Memories of the City Hall

My favourite memories of City Hall are the dances in the Annex, the Ballet’s on stage, the Fatstock shows, the Police Ball, Operas, the Guides & Scouts Fair and the variety show ‘Bits and Pieces’. 

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Postcard Memories - Going to the Circus

Roughly in 1948, when I was a little girl, my family went to the circus. 70 years ago. Well, a Lion got out and passed between us – what a memory!  

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Postcard Memories - Beer Festivals

My favourite memory is the beer festivals! We love Cornwall!  

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Postcard Memories - 'Old Thyme'

I remember doing ‘Old Thyme’ musical on the old stage when it was the market in the 1970s. 

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Postcard Memories - Musical Memory

I liked Joseph and the musicals. It was really good. 

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Postcard Memories - Family Memories at the Hall for Cornwall

Hall for Cornwall is synonymous with my son – Dandy Dan in Bugsy, Claypole in Oliver, Backstage crew, Jack in Jack and the Beanstalk, and Bottom in Play for the Nation.  

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Postcard Memories - Fatstock shows, Dinners & Concerts at the City Hall

I have memories of the Cornwall Young Farmers club’s Christmas dinner and dance in the 1960s. The Hall still had the pillars either side. Truro Fatstock shows. Brenda Wootton concert in the 1970s. 

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Postcard Memories - The History of Cornwall Book

In 2000, all Cornish school children were given a book on the History of Cornwall. I was part of the team and presented it to Prince Charles.  

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Postcard Memories - A Piano Recital

I remember coming as a child to hear my mother’s headmistress, Blanche Watkiss, play the piano at an elderly age, and she forgot her music halfway through! This was the 1950s or 60s. She was head at the boarding school in Newquay. Thelema – now Phelema. I remember the hall as very dark with deep seats, we were very small.  

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Postcard Memories - Favourite Memories of the City Hall & Hall for Cornwall

My favourite memories are of Mr Maker! Patrick Moore playing the Xylophone, The Levellers, Stomp! And Ballet Rambert. 

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Postcard Memories - Memories of a Steward

As a HFC Steward from 1997-2017, the memorable shows I have seen are anything by Kneehigh Theatre, Ballet Rambert (especially the Rolling Stones dances), Stomp. There were fantastic bands. Hot Chocolate stands out. Stewards were dancing in the back row. The Chinese state circus. Russian Ice Dancers, Barnum, The Nutcracker. Also I remember the opening. The week before the shows started, I took crates and sold the first programmes.  

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Postcard Memories - Dancing On Ice

Dancing on Ice, I’m in awe as to how they can do what they do, at such speed, in a small space. The first one, the lead Ballerina came out in Ballet shows en pointe on the ice. We expected she would slip and slide but she didn’t! We came back for the solid 60s each year. Freddie and the Dreamers, The Tremaloes, Marty Wilde. My aunt used to do shopping for Marty Wilde’s grandmother.  

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Postcard Memories - Pirate FM Cornwall's Most Wanted

I remember trying to catch Pirate FM Cornwall’s most wanted in the foyer of the theatre! The flea markets in the barn downstairs. So many fantastic shows. The scenery for Chess was too large for the stage! I remember the great staff. I was a member for Priority Tickets.  

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Postcard Memories - Resident Pigeons

Before it was a theatre, Carride Council were responsible for the building and we remember that disused rooms upstairs had been taken over by flocks of pigeons! It must have been a dirty job cleaning it up!  

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Memories of the City Hall - TAODS

Joyce : when I joined TAODS there as a waiting list to be a dancer.  They only had 12 dancers and you had to be over 16.  I was 15 when I joined and had just turned 16 when the show was staged in September.  We loved performing in City Hall. Our shows were very popular, especially our plays and the carolaire where there was always a great atmosphere. We also used it for other events – one year we were staging Carousel and held an Autumn Fair in the Hall . We managed to get hold of a proper carousel and put it in the hall for the fair – we made a lot of money that year.   Keith 2 : I joined TAODS because I wanted to chat up Joyce who was already a member there.   Keith 2 : the guttering was inside the back of the building. When it rained you could hear the water running along back stage.  There was also a metal bar at the top of the stage area to keep the pigeons out – they made a lot of noise and you could hear them when the performances were taking place.   Chris : there was always dancing at City Hall – there was a different band every Saturday night and famous people like Victor Sylvester came to Truro.   Joyce : there were also professional pantomimes at City Hall – one year Alan Gale staged a panto.  Keith 2 : when I was stage manager I had a crew of about 9 or 10 people . They were a wonderful team. We sometimes had up to 22 back cloths for a show which had to be changed. We built a gantry and had women up there who would lower down the cloths. It was a hectic time but a great time.   Keith 1 : there was a corridor at the back of the stage which had a cast iron stair case.  When I was the call boy I used to go down the stairs whistling and singing to let people know I was coming as it was a very popular place for a quick snog.  

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Memories of City Hall Annex - TAODS

Keith 1 : the annexe was used a lot for different things, including rehearsals for the main shows.  One Saturday evening we had a singing rehearsal in the annexe. There had been a caged bird show in building next door and the birds tried to join n the singing.  

Chris : it used to be used for teas for the cast between the matinees and the main evening show. On the last night everyone on the stage would be presented with a gift and during that day families would be coming in with presents which were stored in the annexe until after the final performance had ended.  

Keith 1 : we also entertained it to entertain other societies from across Cornwall. We also went to other places.   

Keith 2  : when you had a show which was very popular you would open up the annexe as well – there was restricted views but it let more people in.  

Joyce : there was a proper bar in the annexe  

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Memories of Cecil Gill -TAODS

Joyce : My father Cecil Gill , known as “Cec’, did the sound for all TAODS productions for more than 50 years.  He owned an electrical shop in Pydar Street and as well as doing the sound for TAODS, also provided the sound for key events in Truro, such as the Mayor Making and the Fatstock shows via his van with speakers on the top.  

Keith 1 : Back then health and safety was not thought off and I remember having to climb up a ladder to the beam at the top of the stage and then having to shuffle on my bottom along the beam dragging electrical cables behind me while Cec was shouting instructions from below. Cec also used to go to the City Hall the night before ticket went on sale to supervise the people who were camping out.  

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Memories of Queueing for Tickets - TAODS

Joyce : Ann and Jill always used to camp out in front of the hall overnight before a show so they would first in the queue to buy them.   Keith 1 : eventually more people started queuing overnight and one day there was a big queue with dozens of people camping out to get the best tickets. It was a really rough night with wind and rain and they were all getting wet, cold and miserable when the caretaker opened up one of the dressing rooms so they could sleep inside.  

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Memories of Past Shows - TAODS

Keith 1 : I remember Joyce and Chris taking part in a performance of Kismet.  Along with another girl they were the “three princesses” and came out of baskets and did a dance on the stage.   Joyce – as we were all dressed in the same way the only way people could tell us apart was because “ I was the only one who had boobs”.   Chris : we did Seven Brides for Seven Brothers – that was a real wow – one of the best shows we ever did.   Joyce : we had professional artists such as make up artist Jules Martin and musicians come to help with the shows.  We had our own stewards and front of house people, people who did the wardrobes and worked back stage and a social committee who used to sell the programmes – the women always wore long dresses and the men wore dress suits.  The shows were opened by the Mayor   Keith 1 : It was always recognised that Truro had high standards – when we did Fiddler on the Roof one of the audience said “ I saw the original in London and this knocks it into a cocked hat”   Keith 2 : a man called Les painted the flat for us – he was amazing. One time he did a back cloth of Truro Cathedral which became fluorescent when it was flooded with UV lighting – that got a round of applause in the middle of the show.   Ros : I loved the carolaires – they were such happy times.  Bill White played while the audience was coming in.   Chris : we had some wonderful MD’s – Harry Jordon, known as the ‘lady chaser’, and Hubert who used to banter with a Truro lawyer. They had great rapport with the audience.  

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Memories of Last Night Antics - TAODS

Keith 2 : We never did anything to damage the show but we did have some fun on the last night At the end of our production of the Sound of Music Johnny Moon went up the mountain with the children. It was an amazing sight. On the last night we put stage weights into his bag to make it heavier.  On another night we were doing a plan in which people had to bring a trunk onto the stage. It was usually empty but on the last night we filled it with concrete blocks and other items from below the stage.   Keith 1 : during the performance of the Vagabond King the rogue has to run away and jump into a vat of red wine.  On the last night the inside of the barrel was lined with holly – he was wearing tights and a short tunic and the language was interesting.  Chris : on one last night Anne was due to be presented with a plate of food during the play – on the last night someone got two pigs eye from the butchers and put them with the food on the plate. When she lifted the lid off the plate she had to try not to laugh.   Joyce : we were a family – back stage / front of house – we were all a family.  

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Memories of Moving to Redannick Theatre - TAODS

Keith 2 : we miss the City Hall – we had been told that the Hall For Cornwall would be a hall for the whole of Cornwall – but amateur societies cannot afford to use it. We have lost out . Redannick Theatre is much smaller which means we cannot put on the same kind of shows  it is not the same ….. we had some wonderful years and made lots of money for charity.   Joyce : the shows were the highlight of our year and the highlight of the audience’s years – they were happy days and we miss them. The society has gone down to a small number – we have lost our young people. We did everything to the best of our ability – and it is a great shame.  

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Memories of Courting at City Hall

I was sixteen in 1958. It was a good time to be sixteen. I was a telephonist for BT and we held our annual dances in City Hall. There were crowds of young people and we danced the night away, the lot of us. They decked the whole place out with balloons and paper decorations and laid chairs down both sides of the hall. The girls would come in and take a seat and if you were lucky, a handsome man would come over and ask you to dance. If it was someone you weren’t keen on, all of a sudden you’d look down at the floor and get very interested in your shoes. It was grand being asked to dance, but the best part of the evening was the ‘ladies’ excuse me’, which gave you the chance of a lifetime. You could tap any man on the shoulder, even if he was dancing with someone else and ask him to dance. There was no point in being a wallflower, you had to grab the opportunity while you had it. ‘Ladies and gentlemen, take your places for a quickstep.’ They had a dance band, The Clavitones, who played all sorts, from waltzes, military two-step to the Gay Gordons and the hokey cokey. Bob Williams, the chemist, used to play saxaphone with them. The slow dances were my favourite, though. You’d eye someone across the room and wink at them and they’d come over and you’d dance with their arm around you and it felt wonderful. Everyone got a bit more forward as the evening went on. At some point you might go outside with them for a kiss and a cuddle. The dances finished about ten thirty. It was nothing like going home at two in the morning like you might do today. It was a lot tamer than that. If you met someone and they wanted to take you home, you’d wonder if they would hold your hands or your arm might brush their arm, which was everything. If it went really well, you might get a kiss at the gate. Of course, I lived with my parents back then and my dad would wait up until I got back. We had a dog and he’d use the dog as an excuse to stay out in the garden when he was expecting me back, which was his way of saying ‘Come on in now, Josie’. I remember at one dance this gorgeous man came in through the door of City Hall and later in the evening, when he asked me if I wanted to dance, I said ‘do I?’ Our first dance was a quickstep. He was tall, and handsome too. We courted for three years before I married him. We went to lots of dances at City Hall in that time, and to the cinema too at The Regent. I remember he took me to see The Summer Place – even now when I hear the songs it takes me right back there. I remember being in there in the dark of the cinema and his knee touched mine – talk about the vapours. We married at Chasewater and had a reception in the village, bought a cottage at Greenbottom and we had our twins there twelve months later. When you’ve had a good marriage and you met your man at a dance, you’ve had what lots of people would love to have. You can’t imagine anything better. But that’s me, I’m an old romantic.

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Memories of The City Hall & Hall for Cornwall - The Heart of Things

Before I moved down to Cornwall in 1964, I lived in Honor Oak in London. From the road I lived on, which was on a main bus route, we could see Big Ben - we were right in the heart of things – you could get anything you liked any time you liked. After I left school, I worked at Westminster for a while and then at Worth’s Fashion House. When my husband got a job teaching science at Truro School, we moved to Penelewey, which was - at the time - just a handful of houses, even fewer than there are now. Where we’d have busses running all day in Honor Oak, there was one bus a day now and I thought ‘what one earth have I come to?’ My husband died thirty years ago now and it was after he died that I heard about this place called Hall for Cornwall. It was a new thing for me. It was close and it was affordable. I discovered something there that grabbed me by the heart. One year I went to see something there every week – marine bands, plays, opera, comedy, dancing – anything they had on. The man on the security desk said to me he was thinking about calling Securicor for me, I’d bought that many tickets, and they told me by the end of the year, they thought I’d pretty much bought Row F! I remember seeing one comedy group which was the funniest thing I’ve ever seen in my life. I laughed so hard it was painful and the man sitting next to me couldn’t stay in his chair he was laughing so much. I remember thinking I need a break from this. It’s strange, I’ve forgotten what they were called now, but I’ll never forget laughing that hard, not ever. It was a change from life, seeing something so different. I was able to feel I was supporting people who were doing creative things while I was doing it. A special place it is, right in the heart of things.

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Memories of Billy Onions

Billy Onions had a horse that he used for one purpose and one purpose only and every market day Billy Onions led his horse down Mitchell Hill and tied him to a lamppost smack in the centre of town, right by City Hall. Why’s Billy Onions bring a horse into town when he in’t got nothing to sell? Well, I’ll tell you. That horse’d wait, patient as Job and sometimes a child from the market would take pity on him, bring him out a carrot or two, something to pass the time, until Billy Onions emerged from out back of the Red Lion at the last light of the day. Now the Red Lion to City Hall was just a stagger and a belch and Billy Onions could manage that right enough. He’d pet the horse on the nose, untie him from the lamppost and the horse’d lead him right home.

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Memories of Truro at War

When the war ended I was working along River Street. The fire station rang its signal and I threw myself to the ground and I remember thinking how silly I was to have done that. I remember the war well, the incendiary bombs falling all around. My mother rarely let us leave the house, at that time though I remember we went to the Regent Cinema, where they had open grate fires and they ironed the snooker tables before people played on them, and when we were allowed out, we’d head down to find winkles at Newham, boil them and pick them out with a pin.. This one time I remember my mother took us up to the park up at Hendra and we heard a noise and Mum said ‘It’s the Gerries’, so we ran into the public toilets and I remember all the windows smashing, the noise and the chaos of it. Mr Dexter, who was in the AA – you always saluted when you saw him coming – came and collected us and I remember we went up past Fairmantle Street where there was a house of one of my mother’s friends where a bomb had come right down through her sitting room. Sobering it was and I was glad when it was over.

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Memories of The First Dance

My husband used to click his heels together when he asked you to dance. He wore spare collars and his shoes always shone and he was handsome as the day was long. I first met him at the Red Lion Hotel at the bottom of Lemon Street. If you had money you’d drink out front, and if you were one of the common people you’d drink out the back, sitting on the barrels – that’s where we’d go. A lot of people didn’t have money in those days, but we had comradeship and we enjoyed that. Everybody was in the same boat. He didn’t know anyone at that time, being German, and he went to the Red Lion to meet people, and though I’d seen him there a couple of times I didn’t know him at all. He asked me if I’d like to go to the City Hall for a dance. I was about eighteen or nineteen, but I told him I’d have to ask my mum. Anyway, I went to a dance with him and it went on from there. He’d gone into the German army at eighteen and he was two years interred on Guernsey before they moved him over to Cornwall. He came over on the boat and he lived in these Nissen Huts up by the hospital and from there they were put out to work on farms. They were taken out in lorries to the different farms and he was taken out to a farm at Comprignay Hill. After the war, he stayed on and moved into a tied cottage behind the big house. There were lions on the gateposts and it was a grand place but when I saw his rooms I thought it was terrible, up these rickety steps and he was living above where the stables used to be. All up one end was his bed and there wasn’t much else there aside from that. When we decided to marry, we had to write to Germany just so they could be sure he had never been married before. We had four sons. There’s not a thing I regret about it. We didn’t have much but we enjoyed what we had, and whenever he asked me to dance with him, he’d click his heels together and it took me right back to when I met first him and that first dance.

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Memories of 'Bits & Pieces'

I always liked singing when I was young. I used to sing in school at playtime and we had little shows outside the back of our house, by the garage, put a dress on and act and stuff – it was our own entertainment. I used to love tap dancing, but you had to pay for the lessons and we could never have afforded them. We just didn’t have the money for it and those things were out of reach for us. I wanted to be in a dramatic show, but I always felt they were too posh for me, so I never even tried for one. There was one show – Bits and Pieces it was called - there was a comedian and singers, dancing, different things on. There was a woman who was supposed to sing, but she was taken ill and they said, well could you do it, Joan? I said, I don’t know but I’ll give it a go. I remember having a photograph taken of me in a lovely dress – it was green, a satin dress. I was a poor singer though. In the end I sang ‘Blue Moon’ first and then I sang that old Irish song ‘I’ll Take You Home Again, Kathleen’. I’d never been on the stage before and they threw me right in at the deep end. I couldn’t run fast enough. I stuck it out though. Oh, I will take you back, Kathleen To where your heart will feel no pain And when the fields are fresh and green I'll take you to your home again!

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Memories From The Buyer & Seller of Unconsidered Trifles

Entertainment doesn’t just happen on the stage, you know. Far from it. I’d led a sheltered life until I became a buyer and seller of unconsidered trifles. I started life as a reluctant farmer on my father’s farm. Showed my sheep at the Fat Stock show at City Hall, led them up the ramp they put up over the staircases, though I never went to see any of the entertainment there. When he retired, my father passed the farm to me and when I discovered the flea market I passed it on to my son. I never looked back. You could find anything at the flea market. Anything. People used to describe it as like going into a magic cave. They came from all over; a temporary community gathered for just this one thing. The atmosphere in there was something else. At its height there were seventy stalls selling everything from bric-a-brac to fine art, each one falling over the other, floor to ceiling with the world’s unconsidered trifles. For us it started as a way of getting rid of the old rubbish from our house and ended up with us running a regular stall. It was mostly woodworking tools we sold – beautiful things they were too, brass, ebony, rosewood. They were stamped in capitals with the names of the makers and we’d look out for the names that sold well. NORRIS made woodworking planes and they were always in demand. I knew nothing about this when I started, mind. This was long before the time of upcycling, before vintage became a buzz word, and we made it up as we went along. In fact, I used to make antiques in my garage by the box-load. I think my wife’s fingernails are still full of Brasso from polishing up lamps even now, and this was forty years back, mind when Lemon Quay was still a carpark, Marks and Spencer a garage and Wetherspoons the offices for The West Briton. The early days were the best. The buzz of knowing that the things we sold could end up anywhere in the world, the people we met who came from all over just for the flea market. It opened my eyes to life beyond Truro and for entertainment value, there was noting like it.

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Karen Pirie Podcast Episode 1: Debbie McCrory

The first podcast in a micro-series, commissioned by Hall For Cornwall with journalist Karen Pirie. In the first episode, hear from BBC Radio Cornwall DJ and former Front Of House Manager Debbie McCrory. Listen to her tales of scandal, intrigue and backstage gossip with a whole host of stars who have graced Hall For Cornwall's stage over the years. Series recorded pre-Covid.

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Karen Pirie Podcast Episode 2: Ed Rowe, Simon Harvey & Richard Healey

The second podcast in a micro-series, commissioned by Hall For Cornwall with journalist Karen Pirie. In the second episode, hear from an impressive trio who frequently work together at Hall For Cornwall. Actor Ed Rowe, Director Simon Harvey and musical director Richard Healey. Hear their discussion of their hopes for the future of the theatre, what they enjoy about working together and what Cornwall can offer by way of support for the creative industries. Series recorded pre-Covid.

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Karen Pirie Podcast Episode 3: Julien Boast & Sue Ferguson

The third podcast in a micro-series, commissioned by Hall For Cornwall with journalist Karen Pirie. In the third episode, Karen interviews Hall For Cornwall CEO Julien Boast and theatre advocate and loyal friend of the theatre, Sue Ferguson. Hear their thoughts on the transformation of the hall and exciting plans for the future. Series recorded pre-Covid.

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Animated Oral History 1: John McLaughlin

The first in a series of four animated oral histories, depicting people's memories of life in Truro and the influence that City Hall / Hall For Cornwall has had to their lives. Episode one features lifelong Truro resident John McLoughlin who has many a tale to tell of life at City Hall's famous Fatstock markets as well as life as a Hall For Cornwall volunteer.

 

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Animated Oral History 2: Roger Heayn

The second in a series of four animated oral histories, depicting people's memories of life in Truro at City Hall and Hall For Cornwall. Episode Two features an interview with Roger Heayn who's life is utterly entwined with Truro and the buildings of Lemon Quay. Hear his memories of WWII in Truro and the experiences of being a school boy in Truro during a bomb explosion.

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Animated Oral History 3: Bryan Churcher

The third in a series of four animated oral histories, depicting people's memories of life in Truro and inside City Hall / Hall For Cornwall. Episode Three features an interview with Bryan Churcher who has been integral in Hall For Cornwall's transformation as part of the Appeal Group and a past chair of the Fundraising Group. Hear him share the story of his parent's marriage at Truro Cathedral and the experience of holidaying in Cornwall before relocating to the county and his support of a wide range of charitable fundraising projects.

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Animated Oral History 4: Christine Holmes

The fourth in a series of four animated oral histories, depicting people's memories of life in Truro at City Hall and Hall For Cornwall. Episode four features the story of Christine Holmes who volunteered at the Hall For Cornwall from its beginnings in 1997, right up until it's final performance prior to transformation in 2018.

 

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Truro and Cathedral, Cornwall, UK, 1946 (b/w photo)

Truro and Cathedral, Cornwall. The Gothic Revival Cathedral was begun in the 1880s. Aerial view by Aeropictorial. July 1946.

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Back Quay showing the Market Inn, the rear of City Hall and N. Gill & Son, Truro, Cornwall. After October 1937

A photo which details the change in landscape to Back Quay once the river had been filled in during the mid-1920s. The river was filled in along Lemon Quay for both sanitation reasons and for a broader civic purpose. The space has since served as a car park and a piazza, home to multiple fairs, shows and entertainment events in the heart of the city.

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Machine shop, H.T.P. Motors Ltd., Back Quay, Truro, Cornwall. 1941

The interior of HTP Motors (now the Pannier Market) during WWII. The automobile showroom was re-purposed as a site for building plane parts for Spitfires during the war effort.

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British Army service vehicles outside H.T.P. Motors Ltd., Back Quay, Truro, Cornwall. Around 1944

Military vehicles outside the building on Back Quay (now the Pannier Market) where the vehicles were re-conditioned and re-purposed ready for service at the end of WWII. This photograph shows the moment the vehicles are handed over to the military.

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Town Crier standing outside City Hall, Boscawen Street, Truro, Cornwall. 1920s

A town crier reads from his sheet with City Hall as a backdrop. Clearly visible are a number of show posters for forthcoming performances at the hall. Also visible is a large handbill mounted to a board by the gates to the hall. This board would have been used and adjusted during a performance run to detail which shows had remaining tickets on sale.

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Snowball Fight, Boscawen Street, Truro, Cornwall. 8th January 1918

A group of naval officers play in the snow outside City Hall during WWI. In the background and tacked to the wall of City Hall, is a poster calling for new recruits to the Royal Navy.

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City Hall, Truro, Cornwall. 1918 or early 1920s

A crowd gathers to watch military personnel on Boscowan Street at the beginning of WWI. City Hall is visible in the background, advertising its performance of The Lost City.

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Clock Tower, atop City Hall, 1914

A photo showing damage to the clock tower following a fire which destroyed much of the structure in 1914.

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Radio Times, February 1955

A radio programme on BBC Radio detailing the songs and stories of The Public Rooms and City Hall, Truro. Broadcast in the South West at 7pm on 8th February 1955.

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Her Majesty The Queen Mother admires the magnolias, 1962

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Her Majesty The Queen Mother inspects the exhibits, 1962

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Flower Show at City Hall, 1959

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Judging the Constance Spry Cup Competition at City Hall, 1961

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Dick Whittington & His Cat poster

The poster is good example of theatre and design trends of the time. Full-colour and eyecatching with a focus on bold type of varying sizes, the poster was set and printed by G & Organ. G & M Organ were a highly prolific organisation specialising in wooden typographic design based in Bristol and known their work in producing theatre posters for theatres across the United Kingdom.

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Jack & The Beanstalk poster

The poster is good example of theatre and design trends of the time. Full-colour and eyecatching with a focus on bold type of varying sizes, the poster was set and printed by G & Organ. G & M Organ were a highly prolific organisation specialising in wooden typographic design based in Bristol and known their work in producing theatre posters for theatres across the United Kingdom.

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Summer Show handbill, City Hall

A selection of handbills pasted up on the walls backstage in the building at different times. The handbills, posters and cast lists were pasted on top of each other and left to fade away as new posters were added. Each poster shows changes in acts booked to perform at the hall, the changing tastes of the public and indeed the changing name of the building. It is alternately named as City Hall and its earlier name, the Regent Theatre within the posters. In-house bands such as the City Hall Trio are also named.

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A collection of handbills

A selection of handbills pasted up on the walls backstage in the building at different times. The handbills, posters and cast lists were pasted on top of each other and left to fade away as new posters were added. Each poster shows changes in acts booked to perform at the hall, the changing tastes of the public and indeed the changing name of the building. It is alternately named as City Hall and its earlier name, the Regent Theatre within the posters. In-house bands such as the City Hall Trio are also named.

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A handbill advertising Babes In The Wood pantomime performance at the 'Regent Truro'

A selection of handbills pasted up on the walls backstage in the building at different times. The handbills, posters and cast lists were pasted on top of each other and left to fade away as new posters were added. Each poster shows changes in acts booked to perform at the hall, the changing tastes of the public and indeed the changing name of the building. It is alternately named as City Hall and its earlier name, the Regent Theatre within the posters. In-house bands such as the City Hall Trio are also named.

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Robert Moreton at City Hall

A selection of handbills pasted up on the walls backstage in the building at different times. The handbills, posters and cast lists were pasted on top of each other and left to fade away as new posters were added. Each poster shows changes in acts booked to perform at the hall, the changing tastes of the public and indeed the changing name of the building. It is alternately named as City Hall from 1926 and its earlier name, the Regent Theatre within the posters. In-house bands such as the City Hall Trio are also named.

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Close up of Regent Theatre handbills

A selection of handbills pasted up on the walls backstage in the building at different times. The handbills, posters and cast lists were pasted on top of each other and left to fade away as new posters were added. Each poster shows changes in acts booked to perform at the hall, the changing tastes of the public and indeed the changing name of the building. It is alternately named as City Hall from 1926 and its earlier name, the Regent Theatre within the posters. In-house bands such as the City Hall Trio are also named.

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Babes In The Wood handbill

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Ticket, Angus & Julia Stone

Angus & Julia Stone are an Australian folk pop band. Also performing on stage in 2014 were acts including Ruby Wax, Sir Ranulph Fiennes, Suzanne Vega and The Gruffalo.

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Fashion Show I

In the later years of City Hall, the space was regularly hired for use by the public for a broad variety of functions. From fashion shows to flea markets, dances, balls, election counts, motor shows and baby bathing competitions, the hall (and its annex) has seen it all and played an important role in the civic life of the city.

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Fashion Show II

In the later years of City Hall, the space was regularly hired for use by the public for a broad variety of functions. From fashion shows to flea markets, dances, balls, election counts, motor shows and baby bathing competitions, the hall (and its annex) has seen it all and played an important role in the civic life of the city.

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Fashion Show III

In the later years of City Hall, the space was regularly hired for use by the public for a broad variety of functions. From fashion shows to flea markets, dances, balls, election counts, motor shows and baby bathing competitions, the hall (and its annex) has seen it all and played an important role in the civic life of the city.

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Fashion Show IV

In the later years of City Hall, the space was regularly hired for use by the public for a broad variety of functions. From fashion shows to flea markets, dances, balls, election counts, motor shows and baby bathing competitions, the hall (and its annex) has seen it all and played an important role in the civic life of the city.

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Fleamarkets at City Hall

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Rollerskating Rink at City Hall

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Truro from Lemon Bridge

Until the 1920s, the River Kenwyn ran through both Back Quay and Lemon Quay in the centre of Truro. The river ran immediately behind City Hall and was used for loading and offloading goods on a regular basis for the theatre and beyond. In the mid-1920s, the river was covered over as part of a processing of 'filling in' Back Quay. The river still runs through the city (as do a number of others) but the Piazza now sits on top of it. The Piazza has alternately been a carpark and open-space during WWII. It is now used as a civic space and is frequently host to markets and pop-ups throughout the year.

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Lemon Quay & Wesleyan College, Truro

Until the 1920s, the River Kenwyn ran through both Back Quay and Lemon Quay in the centre of Truro. The river ran immediately behind City Hall and was used for loading and offloading goods on a regular basis for the theatre and beyond. In the mid-1920s, the river was covered over as part of a processing of 'filling in' Back Quay. The river still runs through the city (as do a number of others) but the Piazza now sits on top of it. The Piazza has alternately been a carpark and open-space during WWII. It is now used as a civic space and is frequently host to markets and pop-ups throughout the year.

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How Cats Got Fleas

Stephen's recollections of Truro; 'Loved my visit to Truro in the early 1980s. I was studying photography at Nottingham Trent Polytechnic and a group of us were staying at the cottage of a tutor in the County. Came across this scene and had to take a frame. Particularly impressed that the Flea market was only 1p for entry and that went to charity. Whimsy is such a forgotten art, we need more cat shows and flea markets advertised together!'

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Under Truro's Clock

A stop motion animation film by year 2 children from Truro Learning Academy. The children worked with Artist film-maker Amanda Lorens and writer Rebecca Gregson to create this film. Based on stories from the the Hall for Cornwall archive. Made for Revealing City Hall, a Hall for Cornwall project developed with KEAP.

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Paint Your Wagon

Paint Your Wagon centres on the California Gold Rush of the mid-19th Century. Joining the many crews of minors, each hoping to strike gold, the plot focuses on the lives of a small group of colourful individuals on their journey to success and possible fortune.

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TAODS Ensemble I

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TAODS Ensemble II

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TAODS Ensemble III

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TAODS Ensemble IV

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Stage Set at City Hall

City Hall and Hall For Cornwall are a receiving house. This means that they programme in touring shows and acts who largely bring their own stage sets, props and costumes, leaving lighting, sound and projections to be provided by the hall's equipment.

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Fashion Show at City Hall

Fashion shows were held regularly in the 1960s- 1980s at City Hall. These were organised by external companies who invited local clothes businesses to display clothing selections from the forthcoming seasonal fashions. Shows were curated seasonally and often involved invitations to model for local young residents of Truro.

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Without You, There Is No Us, Callum Mitchell

Commissioned during the Covid-pandemic of 2020, Hall For Cornwall Associate Artist, poet Callum Mitchell prepared a dialogue and accompanying animation detailing the importance of interconnectedness for creativity and sustainability within heritage projects. He asks specifically for people to donate their memories of Hall For Cornwall to the Revealing City Hall project.

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Keeping Truro's Clock Ticking

An important Truro landmark, City Hall's clock tower has had an eventful past. A fire in 1914 almost destroyed the entirety of the tower although the clock itself was largely saved with its facade built back up around it. The clock's wheels, cogs and pulleys were built by J. Smith & Sons of Derby, specialists in manufacturing hand-wound turret clocks.

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City Hall's Clock I

An important Truro landmark, City Hall's clock tower has had an eventful past. A fire in 1914 almost destroyed the entirety of the tower although the clock itself was largely saved with its facade built back up around it. The clock's wheels, cogs and pulleys were built by J. Smith & Sons of Derby, specialists in manufacturing hand-wound turret clocks.

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City Hall's Clock II

An important Truro landmark, City Hall's clock tower has had an eventful past. A fire in 1914 almost destroyed the entirety of the tower although the clock itself was largely saved with its facade built back up around it. The clock's wheels, cogs and pulleys were built by J. Smith & Sons of Derby, specialists in manufacturing hand-wound turret clocks.

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Weights Case

Weights were used at the Stannary Courts (there were four Stannary Towns in Cornwall, in Truro, Helston, Launceston and Lostwithiel). The weights would be used to ascertain the weight and therefore the value of the tin brought to the courts from the tin mines within each town's district. Once the tin had been weight and valued, taxs and coinage would be paid at the local Coinage Hall and the tin would receive the stamp of the Stannary town. This weight case was manufactured in London by De Grave Short & Co Ltd. The case bears the inscription ' Manufacturers of Bullion, Assay and Chemical Balances, Scales, Weights & Measures.'

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Windy Pig

Windy the squeaky pig puppet is a prop created especially for the 2016 pantomime run of Jack & The Beanstalk, produced by Hall For Cornwall. He comes complete with his own bed and wicker basked for transportation!

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Windy Detail

Windy the squeaky pig puppet is a prop created especially for the 2016 pantomime run of Jack & The Beanstalk, produced by Hall For Cornwall. He comes complete with his own bed and wicker basked for transportation!

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Decorative Element of loft room at City Hall I

Painted decorative details on the walls of loft rooms inside City Hall, directly beneath the clocktower and above the Council Chambers. No longer in use, these rooms illustrate the tastes of the period when it came to furnishing the walls of a civic building and employ a trompe l'oeil or stencilled detail. These decorative details are the last clue as to the feel of the rooms prior to the fire of 1914 which destroyed the clock tower. These rooms were significantly more simple in decorative style than the rooms on lower floors (decorated in 1924-1927) which housed the mayoral chamber and courts. These rooms, on public display on a more regular basis, feature mouldings, ceiling roses and a far grander decorative scheme.

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Decorative Element of loft room at City Hall II

Painted decorative details on the walls of loft rooms inside City Hall, directly beneath the clocktower and above the Council Chambers. No longer in use, these rooms illustrate the tastes of the period when it came to furnishing the walls of a civic building and employ a trompe l'oeil or stencilled detail. These decorative details are the last clue as to the feel of the rooms prior to the fire of 1914 which destroyed the clock tower. These rooms were significantly more simple in decorative style than the rooms on lower floors (decorated in 1924-1927) which housed the mayoral chamber and courts. These rooms, on public display on a more regular basis, feature mouldings, ceiling roses and a far grander decorative scheme.

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Weights Case Detail

Detail from inside the weight case (ref HFC:2020:158) This weight case was manufactured in London by De Grave Short & Co Ltd. The case bears the inscription ' Manufacturers of Bullion, Assay and Chemical Balances, Scales, Weights & Measures.'

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We Need A Hall Campaign I

An active community campaign was launched in the early 1990s to spearhead the effort to fundraise and advocate for a permanent venue in Cornwall for the performing arts. City Hall was sited as the venue, and over a couple of years, the campaign was successful. The building which housed City Hall was partially re-configured to become Hall For Cornwall, opening in 1997.

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We Need A Hall Campaign II

An active community campaign was launched in the early 1990s to spearhead the effort to fundraise and advocate for a permanent venue in Cornwall for the performing arts. City Hall was sited as the venue, and over a couple of years, the campaign was successful. The building which housed City Hall was partially re-configured to become Hall For Cornwall, opening in 1997.

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We Need A Hall Campaign III

An active community campaign was launched in the early 1990s to spearhead the effort to fundraise and advocate for a permanent venue in Cornwall for the performing arts. City Hall was sited as the venue, and over a couple of years, the campaign was successful. The building which housed City Hall was partially re-configured to become Hall For Cornwall, opening in 1997.

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We Need A Hall Campaign IV

An active community campaign was launched in the early 1990s to spearhead the effort to fundraise and advocate for a permanent venue in Cornwall for the performing arts. City Hall was sited as the venue, and over a couple of years, the campaign was successful. The building which housed City Hall was partially re-configured to become Hall For Cornwall, opening in 1997.

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Damage to City Hall's roof and clock tower

During the fire at City Hall, a number of the municipal rooms were destroyed as well as a substantial collection of artwork belonging to the council. The efforts of the volunteer fire brigade meant that there were not greater losses sustained to property in the aftermath of the fire.

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Roof From South Side

During the fire at City Hall, a number of the municipal rooms were destroyed as well as a substantial collection of artwork belonging to the council. The efforts of the volunteer fire brigade meant that there were not greater losses sustained to property in the aftermath of the fire.

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The Curious Incident Of The Dog in the Night-Time Programme

An example of a souvenir programme produced to sell to audience members during the four day run of The Curious Incident Of the Dog In the Night-Time as part of a National Theatre tour of the UK.

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Jeeves & Wooster Programme

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The Woman in Black Programme

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The Sensational Hypnotist

One of the earliest handbills from a documented performance at City Hall, this partly destroyed poster from 1955 details a run of performances spread across six days from John Brendan the 'sensational' hypnotist.

This handbill sat in a loft for many years inside the owner's attic. Evidence to suggest that it met its partial demise courtesy of a small rodent is clear in the bottom right hand corner of the handbill! This destruction obscures a section of type, as well as information regarding which company printed the handbill.

 

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Souvenir programme cover for Ruddigore at City Hall

A Gilbert and Sullivan collaboration, Ruddigore, or "The Witch's Curse", is set in the fishing village of Rederring in Cornwall and tells the story of the cursed Baronet brothers who must commit a crime every day to avoid a painful death. The comic opera ran for 288 performances at the Savoy Theatre in 1887 before eventually being revived in 1920 to critical acclaim. Although initially regarded as a failure by critics, the opera soon proved to be a success after running for 8 consecutive months and amassing a total of £7,000. Directed by Mr. Gordon Hall, the opera was performed at City Hall by the T.A.O.D.S between the 19th and 23rd of January 1926.

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Souvenir programme cover for The Rebel Maid at the County Theatre Truro

The Rebel Maid was performed at the County Theatre Truro by the T.A.O.D.S between the 12th and 16th of March 1929. Produced with great success in London in 1921, it tells the story of Lady Mary, "The Rebel Maid", who's secretly engaged in obtaining the support of local fishermen to overthrow King James II. The opera was directed and produced by Mr. and Mrs. Gordon Hall whilst Mr. Ellery and Mr. Farley managed the stage and scenery. An illustration of the title character is displayed on the cover. There is also more information inside the programme including advertisements, details of future performances and cast listings.

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Programme advertisement for Criddle and Smith Ltd

An advertisement for Criddle and Smith Ltd within the programme for The Rebel Maid production at the County Theatre Truro. Situated within the new arcade on Nicholas Street, the advertisement for 'The Furnishers of Cornwall' desrcibes it as 'the home of quality furniture' and exhibits a photograph of the shop as it existed in 1929.

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Programme advertisement for Furniss and Co., Ltd

An advertisement for Furniss and Co Ltd within the programme for The Rebel Maid production at the County Theatre Truro. Founded in Truro in 1886, Furniss biscuit boxes soon became a standard feature in shops across Cornwall. Adorned with the royal coat of arms, the advertisement reads 'original makers of the celebrated Cornish ginger bread.'

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Programme cover for Utopia Ltd at County Theatre Truro

Utopia Ltd, or "The Flowers of Progress", is a Gilbert and Sullivan opera centred around Princess Zara, the eldest daughter of King Paramount of Utopia, after she has been sent to England in the hope that her training there will contribute to her fathers master plan. The opera was performed by the T.A.O.D.S at the County Theatre Truro between the 1st and 5th of February 1927. This performance was directed by Mr. Gordon Hall who was the director of music for a number of T.A.O.D.S performances at the theatre in this period.

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Programme advertisement for the Cornish chemist T.B. Percy Ltd

The advertisement promotes Percy's Rennet as 'the best rennet obatainable' to make an irresistable Junket with. Rennet is the enzyme obtained from a calf's stomach which is used in the cheesemaking process to coagulate milk and is the magic ingredient in Junket puddings. Although a dish savoured only for the well to do in medieval times, Junket had become a relatively cheap and accessible family staple by the 1920s.

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A scene from Vagabond King 1966 (1)

The T.A.O.D.S produced a prolific amount of muscials, operas and stage shows at City Hall Truro throughout the 20th century. Their 1966 performance of the Vagabond King operetta was produced by Mavis Ward, who produced more than sixteen of T.A.O.D.S productions, and G. Trehane Collins as musical director.

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A scene from Vagabond King 1966 (2)

The TAODS produced a prolific amount of muscials, operas and stage shows at City Hall Truro throughout the 20th century. Their 1966 performance of the Vagabond King operetta was produced by Mavis Ward, who produced more than sixteen of TAODS productions, and G. Trehane Collins as musical director.

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Calamity Jane 1975

The T.A.O.D.S production of Calamity Jane was staged at City Hall Truro between the 10th and the 15th of November 1975. It was produced and choreographed by Debbie Underwood and featured Harry Jordan as musical director and Elizabeth Willis as ballet mistress.

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A scene from Calamity Jane 1975

The T.A.O.D.S production of Calamity Jane was staged at City Hall Truro between the 10th and the 15th of November 1975. It was produced and choreographed by Debbie Underwood and featured Harry Jordan as musical director and Elizabeth Willis as ballet mistress.

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Backstage at Guys & Dolls, 1967 (1)

Guys & Dolls was one of many musicals performed by the TAODS at City Hall Truro throughout the 20th century. This photograph from the 1967 performance depicts the 'Dolls' preparing for their performance back stage.

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Backstage at Guys & Dolls, 1967 (2)

Guys & Dolls was one of many musicals performed by the T.A.O.D.S at City Hall Truro throughout the 20th century. This photograph from the 1967 performance depicts the 'Guys' preparing for their performance backstage at the hall.

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A scene from Guys & Dolls, 1967 (1)

Guys & Dolls was one of many musicals performed by Truro Amateur Operatic & Dramatic Society at City Hall Truro throughout the 20th century. This photograph depicts the characters Sky and Sarah performing on stage. The background depicts some of the painted prop pieces which would have been brought in for performances from studios and theatrical warehouses further upcountry. 

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A scene from Guys & Dolls, 1967 (2)

Guys & Dolls was one of many musicals performed by Truro Amateur Operatic & Dramtic Society at City Hall Truro throughout the 20th century. This photograph depicts the 'Dolls' performing on stage.

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Illustrated souvenir programme cover for Call Me Madam at City Hall Truro

Call Me Madam was performed by TAODS at City Hall Truro in 1972. This souvenir programme features an illustration of the lead character Mrs. Sally Adams and the distinctive logo of the three spires of Truro Cathedral. The American flag on the cover is reference to the fact that the musical is set in 1950s America and satires its political landscape and foreign policy affairs. The programme also celebrates the diamond jubilee of TAODS who formed in 1912.

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A scene from Call Me Madam 1972 (1)

One of the greatest musicals of all time', Call Me Madam follows the escapades of Mrs. Sally Adams, 'the hostess with the mostess', when she is appointed US Ambassador to the small duchy of Lichtenburg. This photograph is from the TAODS production of the muscial at City Hall Truro which coincided with their diamond jubilee anniversary.

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A scene from Call Me Madam 1972 (2)

One of the greatest musicals of all time', Call Me Madam follows the escapades of Mrs. Sally Adams, 'the hostess with the mostess', when she is appointed US Ambassador to the small duchy of Lichtenburg. This photograph is from the TAODS production of the muscial at City Hall Truro which coincided with their diamond jubilee anniversary.

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A scene from Call Me Madam 1972 (3)

One of the greatest musicals of all time', Call Me Madam follows the escapades of Mrs. Sally Adams, 'the hostess with the mostess', when she is appointed US Ambassador to the small duchy of Lichtenburg. This photograph is from the TAODS production of the muscial at City Hall Truro which coincided with their diamond jubilee anniversary.

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A scene from My Fair Lady 1973 (1)

A musical based on George Bernard Shaw's 1913 play Pygmalion, My Fair Lady follows the romance which blossoms from Henry Higgins' efforts to transform Eliza Doolittle into a member of upper society. The musical was performed by T.A.O.D.S at City Hall Truro in 1973. This photograph showcases the extravagant costume and set designs that featured in T.A.O.D.S productions.

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A scene My Fair Lady 1973 (2)

A musical based on George Bernard Shaw's 1913 play Pygmalion, My Fair Lady follows the romance which blossoms from Henry Higgins' efforts to transform Eliza Doolittle into a member of upper society. The musical was performed by TAODS at City Hall Truro in 1973. This photograph showcases the extravagant costume and set designs that featured in T.A.O.D.S productions.

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Calamity Jane Poster

The T.A.O.D.S performance of Calamity Jane ran between the 10th and the 15th of November, 1975. It was produced and choreographed by Debbie Underwood and featured Harry Jordan as musical director and Elizabeth Willis as ballet mistress. The poster showcases the theatre and design trends of the 1970s, featuring striking coloured text to convey the title of the musical, the venue and prices which appear in contrast with the bolder black capitalised text that's used to advertise the society and performance dates.

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A scene from Robert and Elizabeth 1971 (1)

An operetta-style musical, Robert and Elizabeth tells of the love story between the poets Robert Browning and Elizabeth Barrett. It was originally produced in London in 1964 to acclaimed success with several professional and amateur revivals following in its wake. One such amateur revival was produced by the TAODS in 1971 at City Hall Truro. This photograph showcases the extravagent costumes which featured in TAODS productions.

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A scene from Robert and Elizabeth 1971 (2)

An operetta-style musical, Robert and Elizabeth tells of the love story between the poets Robert Browning and Elizabeth Barrett. It was originally produced in London in 1964 to acclaimed success with several professional and amateur revivals following in its wake. One such amateur revival was produced by the TAODS in 1971 at City Hall Truro. The actor who played Elizabeth Barrett is depicted in a wheelchar as Barrett suffered from a multitude of illnesses throughout her life .

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Robert and Elizabeth ensemble (1)

An operetta-style musical, Robert and Elizabeth tells the love story of Robert Browning and Elizabeth Barrett. It was originally produced in London in 1964 to acclaimed success with several professional and amateur revivals following in its wake. One such amateur revival was produced by TAODS in 1971 at City Hall Truro. This backstage photograph features the male ensemble cast in their period costumes.

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Robert and Elizabeth ensemble (2)

An operetta-style musical, Robert and Elizabeth tells the love story of Robert Browning and Elizabeth Barrett. It was originally produced in London in 1964 to acclaimed success with several professional and amateur revivals following in its wake. One such amateur revival was produced by the TAODS in 1971 at City Hall Truro. This backstage photograph features the female ensemble cast in their period costumes.

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Illustrated souvenir programme cover for Bless the Bride, 1983

A Vivian Ellis and A.P. Herbert muscial, Bless the Bride tells the story of an English girl who marries a French actor in which she has been led to believe has been killed in action during the Franco Prussian War. The musical was performed by the TAODS at City Hall Truro in November 1983. This programme cover features an illustration of a married couple with an accompanying decorative border and bold modern text.

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Bless the Bride ensemble (1)

A Vivian Ellis and A.P. Herbert muscial, Bless the Bride tells the story of an English girl who marries a French actor in which she has been led to believe has been killed in action during the Franco Prussian War. This image is a backstage photograph of the cast of the TAODS production at City Hall in November 1983.

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Bless the Bride ensemble (2)

A Vivian Ellis and A.P. Herbert muscial, Bless the Bride tells the story of an English girl who marries a French actor. She is then led to believe by his friend who dislikes the English that he has been killed in action during the Franco Prussian War. This image is a backstage photograph of the cast of the TAODS production of the musical at City Hall in November 1983.

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Bless the Bride ensemble (3)

A Vivian Ellis and A.P. Herbert muscial, Bless the Bride tells the story of an English girl who marries a French actor in which she has been led to believe has been killed in action during the Franco Prussian War. This image is a backstage photograph of the cast of the TAODS production at City Hall in November 1983.

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A scene from Guys & Dolls 1987 (1)

Guys & Dolls was one of many muscial shows that the TAODS performed at City Hall Truro throughout the 20th century. This photograph depicts a scene from their 1987 performance.

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A scene from Guys & Dolls 1987 (2)

Guys & Dolls was one of many muscial shows that the TAODS performed at City Hall Truro throughout the 20th century. This photograph from their 1987 performance depicts the final wedding scene.

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A scene from Guys & Dolls 1987 (3)

Guys & Dolls was one of many muscial shows that the TAODS performed at City Hall Truro throughout the 20th century. This photograph from their 1987 performance depicts the final wedding scene.

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A scene from Kismet 1988 (1)

Kismet is a 1911 play in three acts written by Edward Knoblauch. The word 'Kismet' means fate or destiny in Turkish and Urdu. The play originally ran in London for two years before eventually opening in the United States. It was subsequently revived in later years and then adapted into musical form in the 1950s. Since its adaptation, several TAODS performances of the musical have been staged at City Hall. This image depicts a scene from the 1988 TAODS production of Kismet.

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A scene from Kismet 1988 (2)

Kismet is a 1911 play in three acts written by Edward Knoblauch. The word 'Kismet' means fate or destiny in Turkish and Urdu. The play originally ran in London for two years before eventually opening in the United States. It was subsequently revived in later years and then adapted into musical form in the 1950s. Since its adaptation, several TAODS performances of the musical have been staged at City Hall. This image depicts a scene from the 1988 TAODS production of Kismet.

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A scene from Kismet 1988 (3)

Kismet is a 1911 play in three acts written by Edward Knoblauch. The word 'Kismet' means fate or destiny in Turkish and Urdu. The play originally ran in London for two years before eventually opening in the United States. It was subsequently revived in later years and then adapted into musical form in the 1950s. Since its adaptation, several TAODSperformances of the musical have been staged at City Hall. This image depicts a scene from the 1988 TAODS production of Kismet.

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Kismet ensemble

Kismet is a 1911 play in three acts written by Edward Knoblauch. The word 'Kismet' means fate or destiny in Turkish and Urdu. The play originally ran in London for two years before eventually opening in the United States. It was subsequently revived in later years and then adapted into musical form in the 1950s. Since its adaptation, several T.A.O.D.S performances of the musical have been staged at City Hall. This image depicts part of the 1988 cast of Kismet sat on the stairs in the backstage area of City Hall.

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Kismet, 1988

Kismet is a 1911 play in three acts written by Edward Knoblauch. The word 'Kismet' means fate or destiny in Turkish and Urdu. The play originally ran in London for two years before eventually opening in the United States. It was subsequently revived in later years and then adapted into musical form in the 1950s. Since its adaptation, several TAODS performances of the musical have been staged at City Hall. This image depicts part of the 1988 cast of Kismet having tea in the annexe of City Hall.

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A scene from Kiss Me, Kate, 1988 (1)

Kiss Me, Kate is a musical written by Bella and Samuel Spewack with music by Cole Porter. It centres on the production of a musical version of Shakespear's The Taming of the Shrew and follows the on and off-stage conflict between the actors. It premiered in 1948 and ran for more than 1,000 shows on Broadway. The musical was first revived in London in 1970 and then again in 1987. This image depicts a scene from the TAODS production at City Hall Truro in 1988.

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A scene from Kiss Me, Kate, 1988 (2)

Kiss Me, Kate is a musical written by Bella and Samuel Spewack with music by Cole Porter. It centres on the production of a musical version of Shakespear's The Taming of the Shrew and follows the on and off-stage conflict between the actors. It premiered in 1948 and ran for more than 1,000 shows on Broadway. The musical was first revived in London in 1970 and then again in 1987. This image depicts a scene from the TAODS production at City Hall Truro in 1988.

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A scene from Kiss Me, Kate, 1988 (3)

Kiss Me, Kate is a musical written by Bella and Samuel Spewack with music by Cole Porter. It centres on the production of a musical version of Shakespeare's The Taming of the Shrew and follows the on and off-stage conflict between the actors. t premiered in 1948 and ran for more than 1,000 shows on Broadway. The musical was first revived in London in 1970 and then again in 1987. This image depicts a scene from the TAODS production at City Hall Truro in 1988.

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Kiss Me, Kate ensemble (1)

Kiss Me, Kate is a musical written by Bella and Samuel Spewack with music by Cole Porter. It centres on the production of a musical version of Shakespear's The Taming of the Shrew and follows the on and off-stage conflict between the actors. It premiered in 1948, running for more than 1,000 shows on Broadway. The musical was first revived in London in 1970 and then again in 1987. This is a backstage photograph of the male members of the cast from the TAODS production of Kiss Me, Kate at City Hall in 1988.

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Kiss Me, Kate ensemble (2)

Kiss Me, Kate is a musical written by Bella and Samuel Spewack with music by Cole Porter. It centres on the production of a musical version of Shakespear's The Taming of the Shrew and follows the on and off-stage conflict between the actors. It premiered in 1948, running for more than 1,000 shows on Broadway. The musical was first revived in London in 1970 and then again in 1987. This is a backstage photograph of the female members of the cast from the T.A.O.D.S production of Kiss Me, Kate in the dancers room at City Hall in 1988.

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A scene from Music Man, 1985 (1)

Based on a story by Willson and Franklin Lacey, the plot of the Music Man musical follows the blossoming romance between conman Harold Wilson and a librarian and piano teacher named Marian. Premiering in 1957, the show was an immediate Broadway success and won several awards. This success led to a revival of the musical and a subsequent film and television adaptation. The TAODS staged their own production of the muscial at City Hall Truro in 1985. This image is a photograph of a scene from their production.

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A scene from Music Man, 1985 (2)

Based on a story by Willson and Franklin Lacey, the plot of the Music Man musical follows the blossoming romance between conman Harold Wilson and a librarian and piano teacher named Marian. Premiering in 1957, the show was an immediate Broadway success and won several awards. This success led to a revival of the musical and a subsequent film and television adaptation. The T.A.O.D.S staged their own production of the muscial at City Hall Truro in 1985. This image is a photograph of a scene from their production.

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A scene from Music Man, 1985 (3)

Based on a story by Willson and Franklin Lacey, the plot of the Music Man musical follows the blossoming romance between conman Harold Wilson and a librarian and piano teacher named Marian. Premiering in 1957, the show was an immediate Broadway success and won several awards. This success led to a revival of the musical and a subsequent film and television adaptation. The TAODS staged their own production of the muscial at City Hall Truro in 1985. This image is a photograph of a scene from their production.

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Afternoon tea in the City Hall annexe (1)

Many different functions were staged in the annexe of City Hall. This photograph captures the afternoon tea which was held for the TAODS during their production of Music Man at City Hall in 1985.

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Afternoon tea in the City Hall annexe (2)

Many different functions were staged in the annexe of City Hall. This photograph captures the afternoon tea which was held for the TAODS during their production of Music Man at City Hall in 1985.

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A scene from My Fair Lady, 1986 (1)

One of the many musicals performed by the T.A.O.D.S at City Hall Truro over the years, My Fair Lady follows the romance which blossoms between Henry Higgins and Eliza Doolittle when he attempts to transform her into a member of upper society. This photograph is a scene from the 1986 T.A.O.D.S production of the musical. It showcases the marvellous outfits that featured in T.A.O.D.S productions.

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A scene from My Fair Lady, 1986 (2)

One of the many musicals performed by the TAODS at City Hall Truro over the years, My Fair Lady follows the romance which blossoms between Henry Higgins and Eliza Doolittle when he attempts to transform her into a member of upper society. This photograph is a scene from the 1986 TAODS production of the musical. It showcases the marvellous outfits that featured in TAODS productions.

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A scene from My Fair Lady, 1986 (3)

One of the many musicals performed by TAODS at City Hall Truro over the years, My Fair Lady follows the romance which blossoms between Henry Higgins and Eliza Doolittle when he attempts to transform her into a member of upper society. This photograph is a scene from the 1986 TAODS production of the musical. It showcases the marvellous outfits that featured in TAODS productions.

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My Fair Lady ensemble (1)

One of the many musicals performed by the TAODS at City Hall Truro over the years, My Fair Lady follows the romance which blossoms between Henry Higgins and Eliza Doolittle when he attempts to transform her into a member of upper society. This image is a backstage photograph of the ensemble from the 1986 T.A.O.D.S production of My Fair Lady.

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My Fair Lady ensemble (2)

One of the many musicals performed by TAODS at City Hall Truro over the years, My Fair Lady follows the romance which blossoms between Henry Higgins and Eliza Doolittle when he attempts to transform her into a member of upper society. This image is a photograph of the ensemble from the 1986 TAODS production of My Fair Lady. The cast are sat on the backstage stairs of City Hall.

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My Fair Lady ensemble (3)

One of the many musicals performed by TAODS at City Hall Truro over the years, My Fair Lady follows the romance which blossoms between Henry Higgins and Eliza Doolittle when he attempts to transform her into a member of upper society. This image is a photograph of the female ensemble from the 1986 TAODS production of My Fair Lady in the dressing room at City Hall.

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Programme cover for 42nd Street at City Hall Truro

42nd Street is a musical based on the 1930s novel by Bradford Ropes and the subsequent film adaptation of the same era. The show centres on the efforts of a famed director to successfully mount an extravagent stage production during the worse years of the Great Depression. The programme cover for the 1995 TAODS production of the musical features the distinctive cathedral inspired logo of the society along with bold and striking text to convey the name, place and time of performance.

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A scene from 42nd Street, 1995 (1)

42nd Street is a musical based on the 1930s novel by Bradford Ropes and the subsequent film adaptation of the same era. The show centres on the efforts of a famed director to successfully mount an extravagent stage production during the worse years of the Great Depression. TAODS performance of 42nd Street ran between the 6th and 11th of November at City Hall Truro in 1995 and was the Cornish premiere of the musical.

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A scene from 42nd Street, 1995 (2)

42nd Street is a musical based on the 1930s novel by Bradford Ropes and the subsequent film adaptation of the same era. The show centres on the efforts of a famed director to successfully mount an extravagent stage production during the worse years of the Great Depression. The TAODS performance of 42nd Street ran between the 6th and 11th of November at City Hall Truro in 1995 and was the Cornish premiere of the musical.

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The Truro Amateur Operatic & Dramatic Society (1)

This photograph captures the entire Truro Amateur Operatic & Dramatic Society during the production of 42nd Street at City Hall Truro in 1995. The production ran between the 6th and 11th of November and was the Cornish premiere of the musical.

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The Truro Amateur Operatic & Dramatic Society (2)

This photograph captures the entire cast from the Truro Amateur Operatic & Dramatic Society production of 42nd Street at City Hall Truro in 1995. The production ran between the 6th and 11th of November and was the Cornish premiere of the musical.

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A scene from Anything Goes, 1998

A musical by Cole Porter, Anything Goes follows the escapades of an ocean liner bound from New York to London, telling the love story of a stowaway and an heiress in the process. The TAODS staged their own production of the musical at Hall for Cornwall in 1998.

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Anything Goes, 1998

A musical by Cole Porter, Anything Goes follows the escapades of an ocean liner bound from New York to London, telling the love story of a stowaway and an heiress in the process. The musical has been revived several times since its first appearance on Broadway in 1934. In 1998, the TAODS revived the musical and staged their own production of Anything Goes.

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The Truro Amateur Operatic & Dramatic Society band

This image is a photograph of the band who performed in the TAODS production of Anything Goes at Hall for Cornwall in 1998.

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Backstage at City Hall

A musical by Cole Porter, Anything Goes follows the escapades of an ocean liner bound from New York to London, telling the love story of a stowaway and an heiress in the process. The musical has been revived several times since its first appearance on Broadway in 1934. In 1998, the TAODS revived the musical and staged their own production of Anything Goes. This is a backstage photograph of some of the male cast in the men's dressing room.

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Poster advertising Camelot at City Hall

Camelot was performed by the TAODS at City Hall Truro between the 1st and 6th of November, 1993. It was co-directed by Joan and John Boreham who were accompanied by Hubert Julian as musical director. In contrast to earlier advertisements for TAODS productions, this poster contains less detailed text in favour of a larger title and illustration. The T.A.O.D.S iconic logo inspired by the spires of Truro Cathedral also features.

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A scene from Camelot, 1993 (1)

Based on the King Arthur legend, Camelot was adapted for stage in musical form by Alan Jay Lerner in 1960. The TAODS performance of Camelot ran at the City Hall between the 1st and 6th of November, 1993. This photograph is a scene from the show which showcases the large cast of actors who were involved in TAODS productions.

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A scene from Camelot, 1993 (2)

Based on the King Arthur legend, Camelot was adapted for stage in musical form by Alan Jay Lerner in 1960. The TAODS performance of Camelot ran at the City Hall between the 1st and 6th of November, 1993. This photograph is a scene from the production.

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A scene from Fiddler on the Roof, 1991

Set in the Pale Settlement of Russia at the turn of the century, Fiddler on the Roof centers on the efforts of a milkman to protect his family's Jewish traditions from the pressures of outside influences. The original Broadway production opened in 1964 and subsequently broke many records for being the first musical theatre show to surpass 3,000 performances. The success of the show made it a popular choice for amateur productions, with the TAODS staging the musical numerous times throughout their history. This photograph is a scene from their 1991 production of the show at City Hall.

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A scene from Funny Girl, 1999

Opening on Broadway in 1964, Funny Girl's semi-biographical plot is based on the life and career of Fanny Brice and centres on her tumultuous relationship with entrepreneur and gambler Nick Arnstein. The play is set in New York City during the First World War and follows Fanny as she reflects on her life as she awaits her husbands return from prison. This image is a photograph from the TAODS performance of Funny Girl at City Hall in 1991.

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A scene from Kiss Me, Kate, 1998 (1)

Kiss Me, Kate is a musical written by Bella and Samuel Spewack with music by Cole Porter. It centres on the production of a musical version of Shakespear's The Taming of the Shrew and follows the on and off-stage conflict between the actors. It premiered in 1948 and ran for more than 1,000 shows on Broadway. Performed several times by the TAODS at City Hall, this photograph is a scene from their 1998 production of the musical.

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A scene from Kiss Me, Kate, 1998 (2)

Kiss Me, Kate is a musical written by Bella and Samuel Spewack with music by Cole Porter. It centres on the production of a musical version of Shakespear's The Taming of the Shrew and follows the on and off-stage conflict between the actors. It premiered in 1948 and ran for more than 1,000 shows on Broadway. Performed several times by the TAODS at City Hall, this photograph is a scene from their 1998 production of the musical.

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Kiss Me, Kate, 1998

Kiss Me, Kate is a musical written by Bella and Samuel Spewack with music by Cole Porter. It centres on the production of a musical version of Shakespeare's The Taming of the Shrew and follows the on and off-stage conflict between the actors. It premiered in 1948 and ran for more than 1,000 shows on Broadway. Performed several times by the T.A.O.D.S at City Hall, this photograph is a scene from their 1998 production of the musical.

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Poster advertising Seven Brides for Seven Brothers at City Hall

Advertising a performance of Seven Brides for Seven Brothers at City Hall, this poster is an interesting example of the changes in design trends throughout the history of TAODS performances. Illustrations, eye catching colour and modern fonts contrast with earlier production posters which had simpler designs.

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A scene from Seven Brides for Seven Brothers, 1994 (1)

The TAODS performance of Seven Brides for Seven Brothers ran at City Hall Truro between the 31st of October and the 5th of November 1994. It was directed by Joan and John Boreham who were accompanied by Hubert Julian as musical director. Together, this collaboration staged a number of TAODS productions throughout the 1990s. The society even won the South West Regional Excellence award for their performance of Seven Brides for Seven Brothers during the 1994-1995 season.

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A scene from Seven Brides for Seven Brothers, 1994 (2)

The TAODS performance of Seven Brides for Seven Brothers ran at City Hall Truro between the 31st of October and the 5th of November 1994. It was directed by Joan and John Boreham who were accompanied by Hubert Julian as musical director. Together, this collaboration staged a number of TAODS productions throughout the 1990s. The society even won the South West Regional Excellence award for their performance of Seven Brides for Seven Brothers during the 1994-1995 season.

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Seven Brides for Seven Brothers cast (1)

The TAODS performance of Seven Brides for Seven Brothers ran at City Hall Truro between the 31st of October and the 5th of November 1994. It was directed by Joan and John Boreham who were accompanied by Hubert Julian as musical director. Together, this collaboration staged a number of TAODS productions throughout the 1990s. The society even won the South West Regional Excellence award for their performance of Seven Brides for Seven Brothers during the 1994-1995 season.

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Seven Brides for Seven Brothers cast (2)

The T.A.O.D.S performance of Seven Brides for Seven Brothers ran at City Hall Truro between the 31st of October and the 5th of November 1994. It was directed by Joan and John Boreham who were accompanied by Hubert Julian as musical director. Together, this collaboration staged a number of T.A.O.D.S productions throughout the 1990s. The society even won the South West Regional Excellence award for their performance of Seven Brides for Seven Brothers during the 1994-1995 season.

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Poster advertising Showboat at City Hall

Advertising the TAODS performance of Showboat at City Hall in November 1992, this poster is an interesting example of the progression in theatre design that had resulted in sophisticated and modern advertisements by the end of the century.

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A scene from Showboat, 1992

First produced in 1927, the Showboat musical follows the lives and loves of the workers aboard the Cotton Blossom travelling showboat. The TAODS performance of the musical ran at City Hall Truro between the 2nd and 7th of November 1992, although it had been produced by the society for decades. Joan and John Boreham produced this particular performance, with Joan also directing the choreography.

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A scene from The Sound of Music, 1990

The Sound of Music first opened on Broadway in 1959 and won 5 Tony awards including best musical. By 1961 it had reached British theatres and first opened at the Palace Theatre, London. This photograph is from the 1990 T.A.O.D.S production of The Sound of Music at City Hall in 1990.

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Costume making

This is a photograph of costumes being sewn for a Truro Amateur Operatic and Dramatic Society production of The Sound of Music. Although costumes sometimes came with the set designs during this period, a lot of the outfits that were used for TAODS performances were made by the family and friends of society members.

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TAODS Summer Fair (1)

As a registered charity since 1969, the Truro Amateur Operatic and Dramatic Society rely on fundraising to finance the society and the events and performances they produce. One such fundraising inititative was the holding of summer fairs at City Hall which included raffles, tombolas and fair ground style games.

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West Side Story, 1992

West Side Story is a musical by Laurents, Bernstein and Sondheim and is set in the mid 1950s in New York City's Upper West Side. Inspired by Shakespear's Romeo and Juliet, it follows the unfolding rivalry between two teenage street gangs, the Jets and the Sharks. The original 1957 production of the musical was Sondheim's Broadway debut. Running for 732 performances before touring, the production was nominated for six Tony Awards including Best Musical in 1958. The musical's London production ran for even longer before it was eventually adapted into film in 1961. This black and white photograph features some of the cast of the T.A.O.D.S production of the musical at City Hall in 1992.

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A scene from West Side Story, 1992 (1)

West Side Story is a musical by Laurents, Bernstein and Sondheim set in the mid 1950s in New York City's Upper West Side. Inspired by Shakespear's Romeo and Juliet, it follows the unfolding rivalry between two teenage street gangs, the Jets and the Sharks. The original 1957 production of the musical was Sondheim's Broadway debut. Running for 732 performances before touring, the production was nominated for six Tony Awards including Best Musical in 1958. The musical's London production ran for even longer before it was eventually adapted into film in 1961. This photograph captures a scene from the TAODS production of the musical at City Hall in 1992.

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A scene from West Side Story, 1992 (2)

West Side Story is a musical by Laurents, Bernstein and Sondheim set in the mid 1950s in New York City's Upper West Side. Inspired by Shakespear's Romeo and Juliet, it follows the unfolding rivalry between two teenage street gangs, the Jets and the Sharks. The original 1957 production of the musical was Sondheim's Broadway debut. Running for 732 performances before touring, the production was nominated for six Tony Awards including Best Musical in 1958. The musical's London production ran for even longer before it was eventually adapted into film in 1961. This photograph captures a scene from the TAODS production of the musical at City Hall in 1992.

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A scene from Blondel, 2000

Written by Tim Rice and Stephen Oliver, Blondel is a rock opera musical set in the period of the Third Crusade. It tells the story of the medieval entertainer Blondel who travels across Europe to stop Prince John from taking King Richards throne, although Blondel himself is being pursued by an assassin. Blondel opened in London in 1983 and played across two West End theatres. Although eventually closing less than two years after opening, community amateur dramatic society's still produced their own performances of the musical at local theatres across the country for decades after. This photograph was taken at the TAODS performance of Blondel at Hall for Cornwall in 2000.

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Blondel, 2000

Written by Tim Rice and Stephen Oliver, Blondel is a rock opera musical set in the period of the Third Crusade. It tells the story of the medieval entertainer Blondel who travels across Europe to stop Prince John from taking King Richards throne, although Blondel himself is being pursued by an assassin. Blondel opened in London in 1983 and played across two West End theatres. Although eventually closing less than two years after opening, community amateur dramatic society's still produced their own performances of the musical at local theatres across the country for decades after. This photograph was taken at the TAODS performance of Blondel at Hall for Cornwall in 2000.

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A scene from Hot Mikado, 2009

Hot Mikado is a musical comedy based on Gilbert and Sullivan's 1885 comic opera 'The Mikado'. In the 1980s, Bell and Bowman readapted the musical from its original 1939 incarnation. It was then produced in its new form in 1987 before again being revived in London's West End in 1995. The story is set in 1940s Japan where flirting is punishable by death. The 2009 TAODS production of Hot Mikado ran between the 22nd and 26th of September and was directed by Trevor Hitchens, who is well known for his original twists on well established shows.

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Backstage at Hot Mikado, 2009 (1)

Hot Mikado is a musical comedy based on Gilbert and Sullivan's 1885 comic opera 'The Mikado'. In the 1980s, Bell and Bowman readapted the musical from its original 1939 incarnation. It was then produced in its new form in 1987 before again being revived in London's West End in 1995. The story is set in 1940s Japan where flirting is punishable by death. The 2009 TAODS production of Hot Mikado ran between the 22nd and 26th of September and was directed by Trevor Hitchens, who is well known for his original twists on well established shows.

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Backstage at Hot Mikado, 2009 (2)

Hot Mikado is a musical comedy based on Gilbert and Sullivan's 1885 comic opera 'The Mikado'. In the 1980s, Bell and Bowman readapted the musical from its original 1939 incarnation. It was then produced in its new form in 1987 before again being revived in London's West End in 1995. The story is set in 1940s Japan where flirting is punishable by death. The 2009 TAODS production of Hot Mikado ran between the 22nd and 26th of September and was directed by Trevor Hitchens, who is well known for his original twists on well established shows.

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Backstage at Pirates of Penzance, 2003 (1)

A Gilbert and Sullivan comic opera in two acts, Pirates of Penzance first premiered in New York City in 1879 before debuting in London in 1880. It is one of the most frequently performed Gilbert and Sullivan operas and tells the story of Frederic, who upon turning 21, is released from his apprenticeship to a band of pirates. The TAODS staged their own production of the opera at Hall for Cornwall in 2003. This photograph is taken in the men's dressing room at Hall for Cornwall and features the cast of pirates who acted in the show.

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Backstage at Pirates of Penzance, 2003 (2)

A Gilbert and Sullivan comic opera in two acts, Pirates of Penzance first premiered in New York City in 1879 before debuting in London in 1880. It is one of the most frequently performed Gilbert and Sullivan operas and tells the story of Frederic, who upon turning 21, is released from his apprenticeship to a band of pirates. The TAODS staged their own production of the opera at Hall for Cornwall in 2003. This photograph is taken in the women's dressing room at Hall for Cornwall and features the female ensemble who participated in the show.

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Backstage at Pirates of Penzance, 2003 (3)

A Gilbert and Sullivan comic opera in two acts, Pirates of Penzance first premiered in New York City in 1879 before debuting in London in 1880. It is one of the most frequently performed Gilbert and Sullivan operas and tells the story of Frederic, who upon turning 21, is released from his apprenticeship to a band of pirates. The TAODS staged their own production of the opera at Hall for Cornwall in 2003. This photograph is taken in the men's dressing room at Hall for Cornwall and features the cast of police who acted in the show.

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A scene from the Witches of Eastwick, 2007

First produced in London's West End in 2000, the Witches of Eastwick is a musical based on John Updike's 1984 novel of the same name. The story centres around the 3 female protagonists, the 'Witches', and the events that take place in the aftermath of the miraculous arrival of the man of their dreams. The T.A.O.D.S production of the musical was staged at Hall for Cornwall in 2007.

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Backstage at the Witches of Eastwick , 2007

First produced in London's West End in 2000, the Witches of Eastwick is a musical based on John Updike's 1984 novel of the same name. The story centres around the 3 female protagonists, the 'Witches', and the events that take place in the aftermath of the miraculous arrival of the man of their dreams. The TAODS production of the musical was staged at Hall for Cornwall in 2007. This backstage photograph is taken in the dressing room at Hall for Cornwall and captures part of the cast who took part in the production.

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Afternoon tea in the Mayors parlour, c. 2007

This is a photograph of afternoon tea being held in the Mayors parlour at Hall for Cornwall during the 2007 productions of the Witches of Eastwick. The Boscawen Street side of City Hall not only houses the Mayors parlour but is also home to Truro City Council and Cornwall’s Coroners Court.

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A scene from Beauty and the Beast, 2012 (1)

Adapted from the 1991 Walt Disney film of the same name, the Beauty and the Beast musical follows the unfolding love story between Belle and a cold blooded prince who has been transformed into an ugly beast as punishment for his selfishness. The musical first opened in 1994 and ran until 2007, becoming Broadway's 10th longest running production in history. The TAODS staged their own production of Beauty and the Beast in 2012 at Hall for Cornwall. This photograph of a scene from the performance captures the production's extremely detailed set and costume designs.

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A scene from Beauty and the Beast, 2012 (2)

Adapted from the 1991 Walt Disney film of the same name, the Beauty and the Beast musical follows the unfolding love story between Belle and a cold blooded prince who has been transformed into an ugly beast as punishment for his selfishness. The musical first opened in 1994 and ran until 2007, becoming Broadway's 10th longest running production in history. The TAODS staged their own production of Beauty and the Beast in 2012 at Hall for Cornwall. This photograph of a scene from the performance captures the production's extremely detailed set and costume designs.

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Souvenir programme cover for Jolly Roger at The Regent Theatre Truro, 1937.

First performed in 1933, the Jolly Roger musical is set in Jamaica in 1690 and follows the events that follow in the aftermath of Jolly Roger's arrest after being accused of piracy. The T.A.O.D.S staged a production of the musical at the Regent Theatre Truro between the 26th and 30th of October 1937. The show was produced by Arthur R. Hendy, who was accompanied by Bertram Lightbown as musical director.

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Programme advertisement for Blewett's Bakers and T. Mutton & Son Butchers

Both situated in Victoria Square Truro, the advertisement boasts that Blewett's bake the 'best bread in town' and that T. Mutton & Son's provide 'high class English meat.' The design and tone of the promotions are typical of the advertisements which featured in theatre programmes at the time. They also showcase the design trends which characterised commerical promotions during the inter-war period.

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Programme advertisement

This advertisement in the programme for the 1937 TAODS production of Jolly Roger promotes three different Truro businesses, including a teacher of pianoforte, organ and theory, a men's hairdressers and a building and contractors. These advertisements document the changes that have occured in shopping trends, advertising and ways of life since 1937.

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Souvenir programme cover for The Count of Como at The Regent Theatre Truro, 1933

A comic opera in two acts, The Count of Como is set in the fictional 'Oblivia' and follows the events that unfold in the aftermath of the betrothal of the Grand Duke Otto's daughter with the 'rich but ridiculous' Crown Prince. The T.A.O.D.S staged their own production of the opera at the Regent Theatre Truro between the 21st and 25th of February, 1933. It was produced under the sole direction of Elsie A. Hall who was accompanied by Gordon Hall as musical director. The scenery was 'specially painted' by E. I. Ellery of Truro, who had extensively photographed a large number of the local aristocracy in the first two decades of the 1900s. Mr. Ellery was also the scenic artist and stage manager for the society and had painted the scenery for its productions since its formation. The dresses and wigs for the production were made by B. J. Simmons & Co., London who were best known for their historical costume designs. Daintily decorated, the programme is in keeping with the art-deco design trends of the era.

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Souvenir programme cover for The Gondoliers at The Regent Theatre Truro, 1936

The Gondoliers is the twelfth collaboration by Gilbert and Sullivan and is set in the fictional kingdom of Barataria. The comic opera follows the events which unfold when the young bride of the heir to the throne arrives in Venice. Premiering at the Savoy Theatre in 1889, it successively ran for 554 performances which, at that time, made it the fifth longest-running piece of musical theatre in history. The T.A.O.D.S staged their own production of the opera at the Regent Theatre Truro between the 11th and 15th of February, 1936. It was produced by Miss. Vera Ware who was accompanied by Mr. Bertram Lightbown as director of music.

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Mr. E. I. Ellery

Pictured in this programme page is Mr E. I. Ellery who had extensively photographed a large number of the local aristocracy in the first two decades of the 1900s. Mr. Ellery was also the scenic artist and stage manager for the society and had painted the scenery for its productions since its formation. Also pictured is a photograph from a previous TAODS production of The Mikado.

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Programme cover for Trial by Jury and The Pirates of Penzance at The County Theatre Truro, 1931

Both comic operas by Gilbert and Sullivan, the TAODS production of Trial By Jury and The Pirates of Penzance ran at The County Theatre Truro between the 3rd and 7th of February 1931. Included in the programme is the statement that 'to write a synopsis of this essentially Gilbertian Dramatic Cantata is almost a sacriledge: The words and the humour are so rich...'

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A scene from The Busy Body, 1967

One of Susanna Centlivre's greatest successes, The Busy Body was written in 1709 and centres on two intertwining love plots. The T.A.O.D.S staged their own production of the play in 1967 at City Hall Truro. This photograph was taken during one of their performances of the show.

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Programme cover for Doctor at Sea at City Hall Truro, 1965

Written by Ted Willis, Doctor at Sea is a farsical comedy in three acts. It was performed at City Hall Truro by the TAODS between the 10th and 13th of March, 1965 and was directed by John Knight. The cover features the distinctive cathedral inspired logo of TAODS against a colourful background and bold border.

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A scene from Doctor at Sea, 1965

Written by Ted Willis, Doctor at Sea is a farsical comedy in three acts. It was performed at City Hall Truro by the TAODS between the 10th and 13th of March, 1965 and was directed by John Knight. This photograph was taken during a performance of the play.

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Vera Ware

Vera Ware was the Truro Amateur Operatic & Dramatic Society's ballet mistress who not only choreographed performances but also, on occassion, produced them too. Vera had also owned her own dance school at number 3 River Street during the 1930s, where she taught 'all branches of dancing.'

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A scene from Goodnight Mrs. Puffin, 1966

Written by Arthur Lovegrove, the play follows the story of the Fordyces family and the events that unravel after Mrs. Puffin, a complete stranger, walks into their lives with predictions of the future. This image is a photograph that was taken of the TAODS production of they play at City Hall in March 1966.

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Ticket stub for Goodnight Mrs. Puffin

Written by Arthur Lovegrove, the play follows the story of the Fordyces family and the events that unravel after Mrs. Puffin, a complete stranger, walks into their lives with predictions of the future.

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City Hall 1995

City Hall is a grade II listed building that was completed in 1846. Built to house the headquarters of the local council, the north end of the complex accommodated the municipal buildings, which included a courtroom and a council chamber, while the south end accommodated a market hall. The clocktower was installed on the Boscawen Street frontage in 1858 and in 1877, when Truro became a city, the complex was renamed Truro City Hall.

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Inside City Hall 1995 (1)

City Hall is a grade II listed building that was completed in 1846. Built to house the headquarters of the local council, the north end of the complex accommodated the municipal buildings, which included a courtroom and a council chamber, while the south end accommodated a market hall. In the early 20th century, civic leaders decided to make the market hall available for public use. In 1907, it operated as a skating rink and then as a cinema in 1912. In 1925, the market hall was remodelled as a theatre with a stage after a fire had gutted the building in 1914.

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Inside City Hall 1995 (2)

City Hall is a grade II listed building that was completed in 1846. Built to house the headquarters of the local council, the north end of the complex accommodated the municipal buildings, which included a courtroom and a council chamber, while the south end accommodated a market hall. In the early 20th century, civic leaders decided to make the market hall available for public use. In 1907, it operated as a skating rink and then as a cinema in 1912. In 1925, the market hall was remodelled as a theatre with a stage after a fire had gutted the building in 1914.

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Inside City Hall 1995 (3)

City Hall is a grade II listed building that was completed in 1846. Built to house the headquarters of the local council, the north end of the complex accommodated the municipal buildings, which included a courtroom and a council chamber, while the south end accommodated a market hall. In the early 20th century, civic leaders decided to make the market hall available for public use. In 1907, it operated as a skating rink and then as a cinema in 1912. In 1925, the market hall was remodelled as a theatre with a stage after a fire had gutted the building in 1914.

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Inside City Hall 1995(4)

City Hall is a grade II listed building that was completed in 1846. Built to house the headquarters of the local council, the north end of the complex accommodated the municipal buildings, which included a courtroom and a council chamber, while the south end accommodated a market hall. In the early 20th century, civic leaders decided to make the market hall available for public use. In 1907, it operated as a skating rink and then as a cinema in 1912. In 1925, the market hall was remodelled as a theatre with a stage after a fire had gutted the building in 1914.

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City Hall backstage 1995 (1)

This photograph captures the lighting control gantry where the backstage crew controlled the stage lighting for productions and performances at City Hall. At this time, plans were in place to develop Hall for Cornwall with plans to greatly enhance the facilities and technical equipment for staff working at the hall.

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City Hall backstage 1995 (2)

The T.A.O.D.S had their own backstage crew as well as actors, producers and musical directors. This photograph captures the props area at City Hall where the T.A.O.D.S backstage crew would store the props for their productions.

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City Hall backstage 1995 (3)

The TAODS had their own backstage crew as well as actors, producers and musical directors. This photograph captures the area where the backstage crew would operate.

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City Hall hall stage

This photo shows an interesting perspective on the old City Hall at the beginning of the 1990s. From the very back of the hall, the old projection room was used to light concerts, plays and project imagery during its time as a cinema in the early 20th century.

City Hall is a grade II listed building that was completed in 1846. Built to house the headquarters of the local council, the north end of the complex accommodated the municipal buildings, which included a courtroom and a council chamber, while the south end accommodated a market hall. In the early 20th century, civic leaders decided to make the market hall available for public use. In 1907, it operated as a skating rink and then as a cinema in 1912. In 1925, the market hall was remodelled as a theatre with a stage after a fire had gutted the building in 1914.

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The old projection room at City Hall

City Hall is a grade II listed building that was completed in 1846. Built to house the headquarters of the local council, the north end of the complex accommodated the municipal buildings, which included a courtroom and a council chamber, while the south end accommodated a market hall. In the early 20th century, civic leaders decided to make the market hall available for public use. In 1907, it operated as a skating rink and then as a cinema in 1912. In 1925, the market hall was remodelled as a theatre with a stage after a fire had gutted the building in 1914. The projection room, seen here in the early 1990s, would initially have been used during City Hall's time as a cinema. The space was alternatively used to store lighting equipment and project from during gigs and concerts in the 1950s - 1990s.

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Old posters from past productions at the Regent Theatre (1)

Several old posters of past performances at City Hall were discovered during the first Hall for Cornwall build between 1995-97. However, due to being firmly glued onto the wall, they were unfortunately not able to be preserved. This poster was created by G & M Organ Theatrical Printers who regularly created theatre posters for City Hall in the 1950s - 1960s. Alan Kitching, the typographer and graphic artist who has created our Performance Timeline bought the entirety of the Wrington Press when G & M Organ closed their business in the mid-1990s. This poster is a good example of the hierachy of type used to denote headline acts as well as less well known support acts.

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Old posters from past productions at the Regent Theatre (2)

Several old posters of past performances at City Hall were discovered during the first Hall for Cornwall build between 1995-97. However, due to being firmly glued onto the wall, they were unfortunately not able to be preserved. These posters are a good example of changing fashions with regards to typography and design. Visible on the right hand side is a pasted up image used to advertise Babes in the Wood, a classic pantomime popular in the early- mid 20th Century. These images would be ordered from brochures produced annually by theatrical printers like G & M Organ. Theatres would receive the image and then set type around it for the specific dates of their performance.

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Old posters from past productions at the Regent Theatre (3)

Several old posters of past performances at City Hall were discovered during the first Hall for Cornwall build between 1995-97. However, due to being firmly glued onto the wall, they were unfortunately not able to be preserved.

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A scene from the annual TAODS Christmas Carolare production, 2004

The TAODS Carolare productions were staged every year at Hall for Cornwall until the society found a new home at Redannick Theatre, Truro. The society's Carolare productions at HfC consisted of festive showcases, poems and songs from a range of performers.

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A scene from the annual TAODS Christmas Carolare production, 2005

The TAODS Carolare productions were staged every year at Hall for Cornwall until the society found a new home at Redannick Theatre, Truro. The society's Carolare productions at HfC consisted of festive showcases, poems and songs from a range of performers.

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A scene from the annual TAODS Christmas Carolare production, 2006

The TAODS Carolare productions were staged every year in December at Hall for Cornwall until the society found a new home at Redannick Theatre, Truro. The society's Carolare productions at HfC consisted of festive showcases, poems and songs from a range of performers.

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A scene from the annual TAODS Christmas Carolare production, 1985

TAODS Carolare productions were staged every year at Hall for Cornwall until the society found a new home at Redannick Theatre, Truro. The society's Carolare productions at HfC consisted of festive showcases, poems and songs from a range of performers.

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A scene from The King and I, 2006

Following their acclaimed 2006 production of Oklahoma!, Truro Amateur Operatic & Dramatic Society staged Rodgers and Hammerstein's musical The King & I at Hall for Cornwall between the 26th and the 30th of September. The production was professionally directed by Ray Jeffrey.

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The Cast of The King and I, 2006

Following their acclaimed 2006 production of Oklahoma!, Truro Amateur Operatic & Dramatic Society staged Rodgers and Hammerstein's musical The King & I at Hall for Cornwall between the 26th and the 30th of September. The production was professionally directed by Ray Jeffrey.

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A scene from Oliver, 2002

TAODS staged their own production of the Dickens classic 'Oliver' at Hall for Cornwall in 2002. The cast for the production featured a large number of child actors as featured in this photograph.

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Festival of Community Arts (1)

Kernow Bys Vyken means Cornwall Forever. In the early 2000s, an initiative launced across Cornwall to celebrate the story and spirit of the county and to raise awareness of its history. As one of many participating institutions, Hall for Cornwall launced A Festival of Community Arts which commissioned a series of performances and events which responded to this agenda.

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Cornwall Youth Music Action Zone

Cornwall Youth Music Action Zone (CYMAZ) was a registered charity which provided extra curricular music workshops for young people who wouldn't otherwise have access to such initiatives. CYMAZ used trained community musicians to work with disengaged and disaffected young people up to the age of 19. Hall for Cornwall would regularly play host to these workshops and conduct them in collaboration with CYMAZ.

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Kernow Voice

Hall for Cornwall runs a variety of community outreach and artistic performance programmes. Kernow Voice was a Hall for Cornwall project funded by the Community Education and Participatory Arts Department and offered the oppurtunity for children aged 9-14 to participate in singing and voice workshops at the hall.

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Programme cover for Hall for Cornwall's 5th birthday celebrations

Hall for Cornwall celebrated it's 5th birthday in November 2002 after the extensive refurbishment of City Hall reached an end in 1997. This is the programme cover that was produced for the celebrations which marked HfC's 5th anniversary.

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Programme cover for Cinderella at Hall for Cornwall, 2002

The Cinderella pantomine has been regularly staged at Hall for Cornwall throughout the theatre's history. With the main characters of Fairy Godmother, the Ugly Sisters, Widow Twanky and Buttons, the pantomine follows the misfortunes of Cinderella until good finally trumps evil and she marries her Prince Charming. The pantomine was again staged at Hall for Cornwall in 2002 and ran between the 13th of December and the 12th of January.

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Programme cover for the 10th birthday gala concert at Hall for Cornwall, 2007

On the 15th of November 2007, Hall for Cornwall celebrated it's 10th birthday with a year of celebration including a specially commissioned work, a very successful Open Day in August and a Gala Concert in November which was attended by Prince Edward.

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Mr and Mrs Arbon and the Cornwall Youth Orchestra

Dennis Arbon was an unwavering supporter and eventual trustee of Hall for Cornwall. His relationship with HfC began in the 1990s when he stepped in to make considerable financial donations to the theatre, its associated organisations and fundraising campaigns. He was then appointed to the venue's board in the late 1990’s and served for four years as Chair, helping in the process to secure the future of the theatre during a period of significant financial difficulty. Dennis was awarded an MBE for his outstanding services and philanthropic contributions to the arts and the community in Cornwall in 2013.

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Plan of Truro new public hall, 1924

City Hall was built in 1846 to house the headquarters of the local council. In the early 20th century, civic leaders decided to make the market hall at the rear of the complex available for public use. This resulted in the market hall operating as a skating rink in 1907 and then as a cinema in 1912. The market hall was then remodelled as a theatre with a stage in 1925. This plan from 1924 details the partitioned space within the main body of the hall. In addition it shows the location of the fire station, kitchens, annex foyers and markets. Many of the partition walls still stand today, although the uses of the rooms has changed enormously to house Hall for Cornwall theatre and its auditorium, the Cornwall Playhouse.

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Filling in Back Quay (1)

The River Kenwyn ran through both Back Quay and Lemon Quay in the centre of Truro until the 1920s. Running immediately behind City Hall, the river proved a useful vantage point for the recievership of goods that arrived and departed on the boats which docked at the quays during the 19th century. The river was eventually covered over between 1923-1926 as part of the process of 'filling in' Back Quay. In the mid-20th century, the piazza was used alternately as a car park for a car dealership as well as a public car park during the 1980s-1990s. In the 1990s council chose to utilise the open space as a civic meeting spot for fairs, cattle markets and festivals.

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Filling in Back Quay (2)

The River Kenwyn ran through both Back Quay and Lemon Quay in the centre of Truro until the 1920s. Running immediately behind City Hall, the river proved a useful vantage point for the recievership of goods that arrived and departed on the boats which docked at the quays during the 19th century. The river was eventually covered over in the 1920s as part of the process of 'filling in' Back Quay.

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Back Quay c. 1995-97

In 1995, enough funds had finally been raised to begin the refurbishment of City Hall. This photograph shows the River Kenwyn as it's sent into it's cover underneath Back Quay. Until the 1920s, the River Kenwyn ran through both Back Quay and Lemon Quay until the river was covered over as part of the process of 'filling in' Back Quay. Also visible in the background are the cranes operating on the refurbishment of City Hall prior to its opening as Hall for Cornwall in 1997.

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Refurbishment of City Hall

In 1995, enough funds had finally been raised to begin the refurbishment of City Hall. This photograph, as taken from Back Quay, exhibits the front exterior of City Hall during the refurbishment process. Also visible is the neighbouring exterior of the Market Inn facade. A crane lifts in a key part of the steel structure which formed the balcony seating in the auditorium. The crane was able to life in key pieces of new infrastructure through the roofspace which was completely refurbished above the auditorium during this process.

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Flea market stall layout

City Hall was built in 1846 to house the headquarters of the local council. In the early 20th century, civic leaders decided to make the market hall at the rear of the complex available for public use. This resulted in the market hall operating as a skating rink in 1907 and then as a cinema in 1912. The market hall was then remodelled as a theatre with a stage in 1925 and, following a period of neglect in the 1960s, served as a flea market in the 1970s. This image is a sketch of the layout of stalls for the flea market which was held at City Hall on Saturday the 30th of March c. 1990. Each highlighted number corresponds with a stall holder who had paid a fee to sell at the market. The flea markets took place regularly underneath the huge granite pillars of the Boscawan side of the building and are an example of the myriad uses City Hall had for the people of Truro.

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Hall for Cornwall, 1998

After undergoing major refurbishment in the mid 1990s, a large part of City Hall reopended as Hall for Cornwall in 1997. This photograph is the view of the newly refurbished exterior of the hall from Boscawen Street, above which sits the council offices. Visible in the photo is the Tourist Information office which was housed within the arches of City Hall adjacent to the space occupied by flea markets.

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City Hall refurbishment

Husa at Hall for Cornwall is a co-working space for Cornish creatives, entrepreneurs, social enterprises, freelancers and small businesses that's situated in the south wing of the building. This photograph was taken during the refurbishments of City Hall in the mid 1990s and features the space above what would eventually become the Husa space.

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Benjamin Luxon CBE

Benjamin Luxon was the honorary president of the Music Theatre Kernow during the 1990s. Before this, he had enjoyed a successful career as a baritone and had toured the world as an equally renowned recitalist, concert, opera and folk singer. In the late 1980s, Ben bought City Hall's 125 year lease for £1.00 from Carrick District Council at a point when its physical decline was reaching the point of no return. The plan was to then return the complex to a performance venue by launching a series of high profile, community led campaigns to secure funding for the renovations. Ben subsequently played an instrumental part in the community campaign to fundraise and eventually bring about the reopening of Hall For Cornwall in 1997. Visible in the background of this photo was a sign detailing how much money had been raised as part of this initial campaign.

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Ann Jennings, Ben Luxon CBE and Chris Warner

Pictured in this photograph is Ann Jennings who ran the flea markets at City Hall, HfC's director Chris Warner and Ben Luxon who bought City Hall's 125 year lease for £1.00 from Carrick District Council in the 1980s. The number they are pictured holding is The Hall for Cornwall Trust charity number.

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A music event at City Hall (1)

In the early 20th century, civic leaders decided to make City Hall's market hall available for public use. Since then, the Hall has operated as an extremely flexible and versatile arts, performance and events venue and has held many a function during its 100 year history as a public space. This photograph is from a music event which was held at the Hall in the period 1993-94. Taken from the back of the theatre space, it showcases the interior architecture of the Hall's vaulted roof on Doric columns whilst also conveying the electric atmosphere of the packed space.

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A music event at City Hall (2)

In the early 20th century, civic leaders decided to make City Hall's market hall available for public use. Since then, the Hall has operated as an extremely flexible and versatile arts, performance and events venue and has held many a function during its 100 year history as a public space. This photograph features the bar staff replenishing the till during a musical performance in the former market hall space, c. 1993-94.

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A music event at City Hall (3)

In the early 20th century, civic leaders decided to make City Hall's market hall available for public use. Since then, the Hall has operated as an extremely flexible and versatile arts, performance and events venue and has held many a function during its 100 year history as a public space. This is photograph features the bar in the market hall space during a music event in the period 1993-94.

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A music event at City Hall (4)

In the early 20th century, civic leaders decided to make City Hall's market hall available for public use. Since then, the Hall has operated as an extremely flexible and versatile arts, performance and events venue and has held many a function during its 100 year history as a public space. This photograph is from a music event which was held at the Hall in the period 1993-94 shortly before the space was overhauled entirely to become Hall for Cornwall. These music events were relatively low key and followed on from the popular Rock N Rhythm and skiffle competitions held at the hall in the 1970s which attracted audiences from all over Cornwall.

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A music event at City Hall (5)

In the early 20th century, civic leaders decided to make City Hall's market hall available for public use. Since then, the Hall has operated as an extremely flexible and versatile arts, performance and events venue and has held many a function during its 100 year history as a public space. This photograph is from a music event which was held at the Hall in the period 1993-94. As well as showing the original layout of the performance area of the building, it also shows contemporary fashions of the time and is an interesting reminder of an era in which smoking inside as a spectator was commonplace. 

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A music event at City Hall (6)

In the early 20th century, civic leaders decided to make City Hall's market hall available for public use. Since then, the Hall has operated as an extremely flexible and versatile arts, performance and events venue and has held many a function during its 100 year history as a public space. This photograph is from a music event which was held at the Hall in the period 1993-94.

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