The Fairly Relentless Piano Quartet
Clare Hammond, Kathryn Stott, Ruth Wall, Graham Fitkin
Celebrated Cornish composer and pianist Graham Fitkin brings four unique musicians together to revel in the unremitting delight of ensemble piano playing. Unapologetically direct, joyous and highly energetic, Fitkin’s eight-handed works for two-pianos are complemented by equally lucid more intimate solos and duos from Unsuk Chin, Morton Feldman, Anna Meredith and Steve Reich. A new Britten Pears Arts commission for pianos, samplers and spoken voice delivers a gripping and provocative finale.
Programme
Graham FITKIN Sciosophy (5’)
Morton FELDMAN Two Pianos (10’)
George WALKER Variations for Piano (5’)
Unsuk CHIN Etudes 4, 6, 5, for solo piano (9’)
Steve REICH Clapping Music (5’)
Graham FITKIN Totti (7’)
Interval
John ADAMS China Gates, for solo piano (5’)
Anna MEREDITH Camberwell Green, for solo piano (3’)
Graham FITKIN I Swear, I Swear, I Swear (5’)
Graham FITKIN Flak (7’)
Graham FITKIN Bla Bla Bla (2022) for pianos, (20’)
samplers and spoken voice
(Britten Pears Arts commission)
CLASSICAL SUBSCRIPTION, AUTUMN 2022
We’re pleased to be offering a subscription for concerts in your autumn season. Book price band A, B or C tickets for the following three concerts to receive the discount listed below.
Graham Fitkin: The Fairly Relentless Piano on SUN 09 OCT
Bournemouth Symphony Orchestra on FRI 04 NOV
Welsh National Opera Orchestra: New Year Concert on WED 11 JAN
When booking all three concerts…
Patrons, Champions and Benefactors receive 30% off
Supporters and Priority Members receive 25% off
Priority Members and those who aren’t members receive 15% off
To book, simply add tickets for all three concerts to your basket and subscription prices will be automatically applied (including member discounts, if applicable) at checkout. Alternatively, please call the Box Office, Mon-Sat 11am-4pm.
For any discount to apply, all concerts must be booked on the same transaction and no retrospective discounts/refunds can be offered.
“a delight that defied all fashionable labels and conjured its own whirlygig of ideas.”
The Guardian
"It’s engaging, memorable and unpretentious music.”
Wire